Better late than never, the soul master receives his considerable due in this superbly researched and written biography.
A music biography with the depth to do its subject justice.
Otis Redding (1941-1967) ranks high in the pantheon of 1960s musical luminaries, so it’s fitting that this biography ranks equally high among such work focusing on popular musical artists. With full cooperation from Redding’s widow and family, along with many involved in his management, his music, and his recording and touring career, Gould (Can’t Buy Me Love: The Beatles, Britain, and America, 2007), a former professional musician, illuminates the life and work of an artist who flourished during an era when the mainstream press gave scant attention to soul singers and the emerging rock press was just beginning to come to terms with Redding’s music. In fact, following the plane crash that took the life of the 26-year-old in December 1967, “Otis’s death inspired an outpouring of publicity that far exceeded the sum of what was written about him during his life.” Gould also provides deep context regarding the racial relations and politics that informed Redding’s progression from high school dropout and Little Richard imitator to the artist whose achievement gave Stax Records its distinctive identity and whose galvanizing performance at the 1967 Monterey Pop Festival suggested even greater things to come. Rock impresario Bill Graham, who presented Redding for the rock crowd at his Fillmore West, said “in terms of all the people I’ve seen on stage since then…[Otis] hasn’t been equaled. There’s nothing close.” Yet just months after his coronation at Monterey, Redding was dead, a victim of wintry Midwest conditions and an inexperienced pilot. He left behind a posthumous masterpiece, “(Sittin’ On) the Dock of the Bay,” that sounded like nothing he had previously recorded and seemed to indicate not only artistic growth, but a change in direction.
Better late than never, the soul master receives his considerable due in this superbly researched and written biography.Pub Date: May 16, 2017
ISBN: 978-0-307-45394-5
Page Count: 520
Publisher: Crown Archetype
Review Posted Online: March 20, 2017
Kirkus Reviews Issue: April 1, 2017
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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