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The Mythology, the Metal and the Hourglass

A novel that offers new flourishes on a spiritual mainstay but stumbles over its own attempts at ambiguity.

A reimagining of the story of Adam and Eve that provides a complex, harrowing vision of two characters’ struggles.

Alphason and his helper, Evere, frolic naked in a garden paradise. Alphason spends his time naming each creature he comes upon, as commanded of him by his creator, The Word. Meanwhile, the Tree of Life sustains them, creating new wonders from fallen fruit. The Word’s only condition is that they never eat from the Tree of Knowledge. As expected, however, a serpent appears (in this case, a limbed reptile), which entices them to sample the tree’s fruit, and soon their world tumbles into entropy. Later, the lizard returns, now as a fiery-haired conqueror called The Werd, who enslaves both of them. The Werd’s amnesiac followers soon join them: white-robed people called “fallen sand,” who have also betrayed The Word. The Werd eventually introduces lies to the world, as flaming swords crash to the earth and great white birds and a vicious leviathan threaten The Word’s forsaken children. Their only ally is The Ghost, a gigantic dog who watches and protects them from afar, and who provides particular comfort when Alphason is separated from his true love. Hammock’s debut isn’t a by-the-numbers retelling of the Abrahamic creation narrative; instead, it employs a nonlinear structure that first introduces readers to the lonely Alphason after his fall, as he inhabits a wasteland of snow with The Ghost. Overall, the novel’s lyrical prose style adds greatly to its parable-like tone. However, as the narrative moves chronologically backward and forward, it never settles into a straightforward retelling, and its sometimes vague manner of introducing characters may cause confusion. At times, unclear language (“The dog had left his stars and path behind and went to another place as did whoever was responsible for the footprints”) also muddles the story. Much of this tale is left ambiguous, as in its source material; however, the clear, direct biblical parallels become more difficult to discern after Alphason and Evere’s paradise is spoiled. This usefully distances the work from its better-known inspiration, but it also eliminates many familiar touchstones.

A novel that offers new flourishes on a spiritual mainstay but stumbles over its own attempts at ambiguity.

Pub Date: Oct. 5, 2014

ISBN: 978-1-312-46816-0

Page Count: -

Publisher: CreateSpace

Review Posted Online: Dec. 5, 2014

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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