Full of interesting information and insight, but nongamers may bog down in the details.

THE COMIC BOOK STORY OF VIDEO GAMES

THE INCREDIBLE HISTORY OF THE ELECTRONIC GAMING REVOLUTION

The popular progression of video games as rendered in graphic narrative.

The subject would seem to be a natural for the comic-book treatment, which can show as well as tell, but the contextual expanse here and the narrative tone result in a work that is less breezy and playful than one might anticipate. Hennessey (The Comic Book Story of Beer: The World's Favorite Beverage from 7000 B.C. to Today's Craft Brewing Revolution, 2015, etc.) and McGowan introduce readers to Japanese history and culture, which, along with World War II (and its emerging technology), the Cold War, the space race, science fiction, and the emergence of the home computer and the internet, they view as essential to their story. The result is a very ambitious history, more than most in this format, which doesn’t even reach Pong until it is almost halfway through and in which Nintendo doesn’t emerge until nearly the end. Hennessey’s previous work includes graphic treatments of The United States Constitution (2008), The Gettysburg Address (2013), and Alexander Hamilton (2017), and his method includes spotlight chapters on major figures in the development of gaming, most unknown outside the video game industry. The author and illustrator show how video games developed from their pre-computer incarnations through their popularity in arcades through advancements in special effects and portability. They explain how hackers pushed the technology of gaming forward, how devices developed for war craft found their way into game craft, and how rivalries among and within corporations have turned competitively vicious. The book ends with speculation about how virtual reality technology and corporate data collection might continue to inform not only the world of gaming, but the world at large.

Full of interesting information and insight, but nongamers may bog down in the details.

Pub Date: Oct. 3, 2017

ISBN: 978-0-399-57890-8

Page Count: 192

Publisher: Ten Speed Press

Review Posted Online: July 3, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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An erudite and artful, though frustratingly restrained, look at Old Testament stories.

THE BOOK OF GENESIS ILLUSTRATED

The Book of Genesis as imagined by a veteran voice of underground comics.

R. Crumb’s pass at the opening chapters of the Bible isn’t nearly the act of heresy the comic artist’s reputation might suggest. In fact, the creator of Fritz the Cat and Mr. Natural is fastidiously respectful. Crumb took pains to preserve every word of Genesis—drawing from numerous source texts, but mainly Robert Alter’s translation, The Five Books of Moses (2004)—and he clearly did his homework on the clothing, shelter and landscapes that surrounded Noah, Abraham and Isaac. This dedication to faithful representation makes the book, as Crumb writes in his introduction, a “straight illustration job, with no intention to ridicule or make visual jokes.” But his efforts are in their own way irreverent, and Crumb feels no particular need to deify even the most divine characters. God Himself is not much taller than Adam and Eve, and instead of omnisciently imparting orders and judgment He stands beside them in Eden, speaking to them directly. Jacob wrestles not with an angel, as is so often depicted in paintings, but with a man who looks not much different from himself. The women are uniformly Crumbian, voluptuous Earth goddesses who are both sexualized and strong-willed. (The endnotes offer a close study of the kinds of power women wielded in Genesis.) The downside of fitting all the text in is that many pages are packed tight with small panels, and too rarely—as with the destruction of Sodom and Gomorrah—does Crumb expand his lens and treat signature events dramatically. Even the Flood is fairly restrained, though the exodus of the animals from the Ark is beautifully detailed. The author’s respect for Genesis is admirable, but it may leave readers wishing he had taken a few more chances with his interpretation, as when he draws the serpent in the Garden of Eden as a provocative half-man/half-lizard. On the whole, though, the book is largely a tribute to Crumb’s immense talents as a draftsman and stubborn adherence to the script.

An erudite and artful, though frustratingly restrained, look at Old Testament stories.

Pub Date: Oct. 19, 2009

ISBN: 978-0-393-06102-4

Page Count: 224

Publisher: Norton

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 2009

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Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.

A FIRE STORY

A new life and book arise from the ashes of a devastating California wildfire.

These days, it seems the fires will never end. They wreaked destruction over central California in the latter months of 2018, dominating headlines for weeks, barely a year after Fies (Whatever Happened to the World of Tomorrow?, 2009) lost nearly everything to the fires that raged through Northern California. The result is a vividly journalistic graphic narrative of resilience in the face of tragedy, an account of recent history that seems timely as ever. “A two-story house full of our lives was a two-foot heap of dead smoking ash,” writes the author about his first return to survey the damage. The matter-of-fact tone of the reportage makes some of the flights of creative imagination seem more extraordinary—particularly a nihilistic, two-page centerpiece of a psychological solar system in which “the fire is our black hole,” and “some veer too near and are drawn into despair, depression, divorce, even suicide,” while “others are gravitationally flung entirely out of our solar system to other cities or states, and never seen again.” Yet the stories that dominate the narrative are those of the survivors, who were part of the community and would be part of whatever community would be built to take its place across the charred landscape. Interspersed with the author’s own account are those from others, many retirees, some suffering from physical or mental afflictions. Each is rendered in a couple pages of text except one from a fellow cartoonist, who draws his own. The project began with an online comic when Fies did the only thing he could as his life was reduced to ash and rubble. More than 3 million readers saw it; this expanded version will hopefully extend its reach.

Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.

Pub Date: March 5, 2019

ISBN: 978-1-4197-3585-1

Page Count: 160

Publisher: Abrams ComicArts

Review Posted Online: Nov. 26, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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