Former Time journalist Hull’s first novel paints a generic portrait of young love and trench warfare, framed by a bracingly unsentimental depiction of old age. The story moves forward simultaneously on three fronts, all chronicled in the diary of American veteran Patrick Delaney. At age 81, he recalls his experiences as a soldier during WWI, when his best friend, Daniel, died horribly after an assault on the German lines; and his brief, enchanted affair with Daniel’s lover, Julia, whom he met in France in 1928 while attending the dedication of a memorial monument. The battle scenes are adequate, but contemporary writers who venture into this arena must suffer comparison to Pat Barker’s breathtaking trilogy (The Ghost Road, 1995, etc.), and Hull falls short in both imaginative empathy and literary skill. Patrick’s account of his liaison with Julia, conducted as his unloved wife and cherished three-year-old son await him in a Paris hotel, fails to convince us that she’s as fabulous as he thinks. However—and this is a big however—the diary’s 1980 portions, chronicling Patrick’s life in a nursing home, have all the specificity and emotional weight the historical segments lack. Compare the bite of —The older I get, the more out of place I feel, like a weekend guest still loitering around the cottage on Sunday night because he’s got no place else to go— with the blandness of —How perfect she looked . . . with the kind of face you instinctively want to touch and kiss.— The lovelorn noodlings of Patrick and Julia aren—t nearly as interesting as the blunt, bitter depiction of physical decay and psychic regret that plague nearly every inhabitant of the Great Oaks Home for Assisted Living. A death scene there would have been a lot more realistic—and challenging—than the phonily romantic one Hull provides. Pretty stale stuff, but those perfectly pitched nursing-home scenes linger in the memory.
Pub Date: Feb. 15, 2000
ISBN: 0-385-33375-7
Page Count: 368
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2000
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
To her usual mix of love, mystery, and passion, Roberts (Sanctuary, 1997, etc.)—author of 115 romancers in some 17 years—adds Renaissance art and a decidedly Medici-like family: the Joneses of Maine. Dr. Miranda Jones, nearly six feet with flaming red hair and a glacial reserve, is an archeometrist who specializes in the analyzing and dating of Renaissance bronze sculpture. Miranda hopes to secure a world-class reputation for herself by authenticating a 15th-century statue of the Dark Lady, one of the mistresses of Lorenzo the Magnificent, as the undiscovered work of a young Michelangelo. Miranda's mother, Dr. Elizabeth Standford-Jones, the emotionally remote director of the Standjo art lab in Florence, has summoned her daughter from the family's Victorian cliffside home in Jones Point, Maine, to test the statue. Meanwhile, Miranda's father, equally remote, is an archaeologist who spends more time at his digs than at home. In fact, no one in the Jones family has made a successful run at marriage, a failure that Miranda and her alcoholic brother Andrew call the Jones curse. As for the statue, when it's discovered to be a fake, Miranda sets out to prove that someone stole the original. In this she's helped by gorgeous art thief Ryan Boldari (half-Italian, half-Irish), who's come to Jones Point to steal yet another bronze, which also turns out to be a forgery. Ryan's plan had been to use Miranda as a pawn, but now, naturally, he finds himself falling hard for her. While the two search for bronzes, a standard-issue romance-novel psychotic is stalking them. Most readers will twig to the killer's identity: Here, as always, Roberts's sexual tension is more compelling than her suspense. Perhaps it's time to take a sabbatical from the pink sweatshop and turn her considerable wit and narrative skills to a more original piece of work.
Pub Date: March 23, 1998
ISBN: 0-399-14387-4
Page Count: 464
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1998
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