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TOUCH AND TRACE FARM

With tracing, flaps, rhymed text, and farm scenes, there is an awful lot going on, and adult readers may wish to skim some...

Down on the farm, little fingers can trace shapes and open flaps.

On every other double-page spread, readers are encouraged to trace a variety of lines debossed into the board pages. Below the tracing feature, youngsters can lift a flap and locate the same pattern just painted in an image beneath. On the following double-page spread, these traceable lines appear again in the context of a larger farm scene. For example, readers can trace a zigzag line. Underneath, kids can locate the zigzag pattern on the jagged edge of the chick’s shell, and, below the flap, the zigzag appears again in a pattern on a dog’s collar. All of this is repeated on the next double-page spread, and this time, readers can draw the zigzag in the chick’s shell in a busy scene. Often forced rhyming couplets accompany the illustrations, instructing readers to trace this or that pattern; with the dotted lines showing the direction to trace, these directions feel superfluous. The variety of shapes for tracing will be helpful for little ones engaging in pre-writing activities, particularly traceable circles, loops, zigzags, and straight lines. Youngsters will enjoy the final spread, featuring a tractor’s long trail for readers to follow.

With tracing, flaps, rhymed text, and farm scenes, there is an awful lot going on, and adult readers may wish to skim some elements to keep from overwhelming children . (Board book. 3-5)

Pub Date: March 1, 2016

ISBN: 978-1-58925-220-2

Page Count: 26

Publisher: Tiger Tales

Review Posted Online: April 12, 2016

Kirkus Reviews Issue: July 1, 2016

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HAPPY EASTER FROM THE CRAYONS

Let these crayons go back into their box.

The Crayons return to celebrate Easter.

Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)

Let these crayons go back into their box. (Picture book. 3-5)

Pub Date: Feb. 7, 2023

ISBN: 978-0-593-62105-9

Page Count: 32

Publisher: Philomel

Review Posted Online: Oct. 11, 2022

Kirkus Reviews Issue: Nov. 1, 2022

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I NEED A HUG

This is a tremendously moving story, but some people will be moved only on the second reading, after they’ve Googled “How to...

A hug shouldn’t require an instruction manual—but some do.

A porcupine can frighten even the largest animal. In this picture book, a bear and a deer, along with a small rabbit, each run away when they hear eight simple words and their name: “I need a hug. Will you cuddle me,…?” As they flee, each utters a definitive refusal that rhymes with their name. The repetitive structure gives Blabey plenty of opportunities for humor, because every animal responds to the question with an outlandish, pop-eyed expression of panic. But the understated moments are even funnier. Each animal takes a moment to think over the request, and the drawings are nuanced enough that readers can see the creatures react with slowly building anxiety or, sometimes, a glassy stare. These silent reaction shots not only show exquisite comic timing, but they make the rhymes in the text feel pleasingly subtle by delaying the final line in each stanza. The story is a sort of fable about tolerance. It turns out that a porcupine can give a perfectly adequate hug when its quills are flat and relaxed, but no one stays around long enough to find out except for an animal that has its own experiences with intolerance: a snake. It’s an apt, touching moral, but the climax may confuse some readers as they try to figure out the precise mechanics of the embrace.

This is a tremendously moving story, but some people will be moved only on the second reading, after they’ve Googled “How to pet a porcupine.” (Picture book. 3-5)

Pub Date: Jan. 29, 2019

ISBN: 978-1-338-29710-2

Page Count: 32

Publisher: Scholastic

Review Posted Online: Sept. 29, 2018

Kirkus Reviews Issue: Oct. 15, 2018

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