Violent action and danger propel this supercharged military SF yarn.
In Maberry and Ochse’s SF novel, humanity, enslaved by a race of birdlike warriors, pins its hopes on a long-dormant squadron of supersoldiers.
Centuries from now, mankind wages war against the alien Flock, fearsome, saurian creatures (flightless but with vestigial wings and avian culture) wielding superior technology looted from other civilizations they defeated. After billions of casualties, the “birds” surrender when the more creative (and desperate) Homo sapiens invent Homo eximius, alias HE: “enhanced humans for military use...Special Forces players who had volunteered for physical upgrades.” Once seemingly unstoppable, the Flock suffers such grievous losses fighting these ultraviolent, lab-created beings that the aliens not only capitulate, but voluntarily become a subservient class, meekly living under human rule. The HE, unadaptable to peacetime, are put into cryogenic deepfreeze and hidden. It transpires that the Flock surrender was just a pretense by the disciplined and single-minded feathered enemy, granting them two centuries of opportunities to infiltrate and undermine Earth and its outposts. The Flock finally strikes in perfect coordination and overwhelms humanity—in short order, the humans become the Flock’s slaves. But waves of sabotage and terrorist attacks on the Flock increase, seemingly under the psychic influence of the long-dormant HEs. Lexie Chow, a historian and secret member of the resistance, joins a motley team of other rebels in a mad dash to locate the HEs and revive them to fight. A lot of dramatic dialogue, heated debates, and hypothetical ifs unfold in lengthy, unlikely intermissions in the furious battling depicted here (“You can’t dream in cryosleep. It’s impossible. Brain tissue, nerves, all of it is literally frozen,” a crew member notes. “Well, I’m open to alternate goddamn theories,” Lexie snaps). Readers will also have to stomach a cute little robot (Lexie’s electronic dog) and comic-book elements in this kickoff volume (which promises to initiate an even longer saga). Genre fans who stick with the sortie will be rewarded with crackling action, fiendish twists, and bigger-than-life characterizations in this undeniably rousing first installment.
Violent action and danger propel this supercharged military SF yarn.Pub Date: Sept. 5, 2023
ISBN: 979-8212323123
Page Count: 630
Publisher: Blackstone
Review Posted Online: May 31, 2023
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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