by Jonathan Maberry ‧ RELEASE DATE: Aug. 20, 2024
Fun and clever, but decidedly sloppier than it should be.
In the final installment of a trilogy, a guard captain turned hero plots the final confrontation with an evil sorcerer seeking divinity.
The Witch-king of Hakkia gathers an army of soldiers, mercenaries, vampires, and beasts brutally altered by magic, intending to bring the rebellious kingdoms of the destroyed Silver Empire to heel. He also prepares for an elaborate, painful ritual that will transform him into a demigod and bring his patron, Hastur the Shepherd God, into the physical world. Meanwhile, the former imperial guard captain Kagen the Damned helps rally a response and stop the ritual, while his brothers, Jheklan and Faulker, go on a dangerous journey into the Winterwilds to free the world’s last dragon, Fabeldyr, the imprisoned and tortured source of all the world’s magic. The ending, as armies clash, the ritual advances, and divine and monstrous beings enter our reality, goes pretty much as anyone who reads or watches fantasy would expect, although the clarification of the Witch-king’s identity is a nice twist. But, like the previous books, this one could have used a more rigorous editor. Characters behave inconsistently. It's not entirely clear whether the Witch-king’s ultimate goal is to reestablish an empire, conquer all of reality, or shatter all of reality—he says different things at different times. Several plot threads prove to be dead ends; the magic books won at such great cost in the last volume, Son of the Poison Rose (2023), end up being of little utility. Other aspects are never completely explained, possibly by design? We never learn if Kagen is truly damned; it’s heavily suggested that there might be another meaning to his gods turning their backs to him in Book 1, Kagen the Damned (2022), plus his interactions with other beings seem to convey blessing, not damnation, but it’s not fully explained. The book, and the series as a whole, offers an intriguing mashup of epic fantasy and cosmic horror lore and tropes, exciting action sequences, and interesting, sympathetic characters. But the potential to be a tighter work is clearly there, if only the time and the effort had been put in.
Fun and clever, but decidedly sloppier than it should be.Pub Date: Aug. 20, 2024
ISBN: 9781250892638
Page Count: 592
Publisher: St. Martin's Griffin
Review Posted Online: May 31, 2024
Kirkus Reviews Issue: July 1, 2024
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BOOK REVIEW
by Rebecca Yarros ‧ RELEASE DATE: May 2, 2023
Read this for the action-packed plot, not character development or worldbuilding.
On the orders of her mother, a woman goes to dragon-riding school.
Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.
Read this for the action-packed plot, not character development or worldbuilding.Pub Date: May 2, 2023
ISBN: 9781649374042
Page Count: 528
Publisher: Red Tower
Review Posted Online: Jan. 12, 2024
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SEEN & HEARD
BOOK TO SCREEN
by Christopher Buehlman ‧ RELEASE DATE: Oct. 2, 2012
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
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New York Times Bestseller
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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