Bennie tells us more about his night and his life than most would ever want to learn.

READ REVIEW

DEAR AMERICAN AIRLINES

A novel that captures the tedium of being stuck overnight in an airport can’t help but become a little tedious in the process.

The debut by magazine journalist Miles begins as a rant of complaint, evolves into an existential fable and threatens to become the world’s longest suicide note. Ostensibly written by protagonist Bennie Ford, a former poet turned translator, the book makes for a long read, almost as long as the night Bennie spends at O’Hare Airport while trying to fly from his home in New York to his daughter’s wedding in Los Angeles. He begins by demanding a refund from the airline, and perhaps an explanation, yet the bulk of the letter finds Bennie doing the explaining. In a series of flashbacks that crisscross all over chronology, he explains his mother’s dementia and her troubled marriage to his late father. He explains how he has had no contact with his daughter for some 20 years, until an invitation arrived for her wedding. Actually, for her “commitment ceremony,” for he hadn’t known until then that she is a lesbian. He explains the circumstances leading to her conception, after he began a relationship with another poet whose attitude toward life—and toward Bennie—became far more pragmatic in the wake of motherhood. He explains his brief marriage (his only one, since he had never married his daughter’s mother) and what a mistake it was. He explains his alcoholism, going into great detail over incidents at the bar where he worked and drank. Perhaps it’s only coincidence that the air carrier he addresses throughout the book shares initials with the organization that helped him stop drinking, because many of these stories could have been told at an AA meeting. Finally, he intersperses the account of his life with his translation of a novel with some thematic parallels.

Bennie tells us more about his night and his life than most would ever want to learn.

Pub Date: June 5, 2008

ISBN: 978-0-547-05401-8

Page Count: 192

Publisher: Houghton Mifflin Harcourt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 2008

Did you like this book?

No Comments Yet

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

Did you like this book?

ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

Did you like this book?

more