Too many storylines unnecessarily muddy this commentary on near-future America.
Existential political threats turn America into a nightmare in this ambitious tale.
Subtlety isn’t the name of the game in Parks-Ramage’s eco-thriller, in which the world is terrorized by climate disaster, totalitarian government, and the surveillance state. The novel begins with gay partners Mason and Yunho preparing for the baby shower of the child they’re having via surrogate, a party overshadowed by a rather prescient fire that consumes much of Los Angeles and comes with a poisonous pink gas bringing sometimes-fatal side effects. The show must go on, however, in this takedown of wealth inequality and consumption in the age of environmental destruction. Gucci gas masks, Apple Wallet brain implants, and MegaDust Bowls all make their way into the book’s first section, though the postmodernist tricks are not always effective. Many of the bits are clumsily introduced, explained via unsubtle exposition. The story moves from a stratified Los Angeles to a communal ranch in isolated Montana, where Yunho decamps with his surrogate, Astrid; Astrid’s partner, Claudia, who uses a wheelchair; and other close friends to build a resistance based on a simple saying: “We’ve got love for everyone.” But things go south when the U.S. government brands the anarchist community’s values antifamily, and the group faces risks from the outside world and members alike. A third section dives even further into the future, as Mason moves with a new partner, Peter Thiel (yes, really), to Mars following the dissolution of the community on the Ranch. Parks-Ramage bites off more than he can chew while failing to imbue his satire with clarity. The book spans more than 100 years and takes aim at a future many fear is on its way without providing his characters, who fight for a better world, with enough dimensionality to bring it to life.
Too many storylines unnecessarily muddy this commentary on near-future America.Pub Date: June 3, 2025
ISBN: 9781639736140
Page Count: 384
Publisher: Bloomsbury
Review Posted Online: April 4, 2025
Kirkus Reviews Issue: May 1, 2025
BOOK REVIEW
Let’s hope for more from the next book set in this world.
Sasha Cadell has survived against all odds, holding onto her loved ones and strangers as they take their last breaths—and that’s why she’s known as Death’s Angel.
For six years Sasha has lived in Haven, the underground society built to withstand nuclear war. Since the war, since her family’s deaths, since discovering she doesn’t get sick like everyone else does, Sasha’s life has been full of death and overfull with grief. While working in the Ward, Haven’s limited hospital, she stays with patients as they die. When Tristian Hayes, a unit commander of the Force, ends up as her patient, hanging on for his life, she pleads for him to stay alive. He does—upending her bleak ritual as Death’s Angel. Hoping to forget everything she’s seen and to numb the pain, Sasha leaves the Ward in favor of a role with a pickax, expanding Haven’s tunnels. Tristian, fiercely determined and stunningly stubborn, recruits Sasha to the Force for a vital mission aboveground. The story picks up steam with Sasha’s intense training to become the medic for Tristian’s tightknit unit. Together, they bear the weight of their unit’s survival and all that’s left of humankind. While in training, Sasha struggles to discern friends and enemies, but nothing is as challenging as facing her own demons. In this prequel to her debut novel, Conform (2025), Sullivan tries to accomplish a lot with both the worldbuilding and plot machinations, resulting in a convoluted story and flattened characters. The plot doesn’t have a satisfying payoff, but the romantic tension between Sasha and Tristian will keep readers engaged.
Let’s hope for more from the next book set in this world.Pub Date: March 24, 2026
ISBN: 9798217091027
Page Count: 464
Publisher: Ballantine
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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