An engaging superhero story with deep themes.
When a biracial single father discovers he can control gravity, he must decide how far he’ll go to protect his family in this novel.
When we first meet Isaac Williams, he’s a young boy, running and suddenly leaving the Earth behind for a moment—until he comes crashing down. Later—after his departure from Mississippi, the birth of his daughter, Tallah, and the death of his wife—Isaac lives a very down-to-earth life in the San Francisco/Oakland area, making a living picking up laundry. But when a police officer hassles Isaac, the cop’s SUV mysteriously gets crushed; though Isaac isn’t sure how, he realizes that he destroyed the vehicle—and he enjoys the feeling of not being the helpless one finally. This could be the origin of a superhero, and Isaac learns to control his power—though he uses it to make his life easier. (Which happens a fair amount of time in superhero origin stories.) For instance, he lightens his load while carrying it but makes it heavier when weighing it for payment. But when Tallah’s school troubles escalate, Isaac finds himself using his abilities to protect her from the police, which sets the two on the run and soon pits Isaac against the authorities in a search for his daughter. Miller (The Two Levels, 2015, etc.) writes an engaging superhero adventure tale revolving around the serious issue of police officers and race. (As Isaac notes to one cop, the police probably wouldn’t have been called if a white student had been disruptive.) Isaac is an easy character to sympathize with as a protective father who deals with a series of setbacks. Yet Miller makes certain not to draw him in too perfect terms: some of the more psychologically interesting moments revolve around Isaac’s motivations—is he protecting Tallah or just lashing out at others? There are also some nice turns of phrase—a tossed piece of concrete hangs in the air “like a poor man’s moon.” The ending suffers some loss of momentum as Miller sets up the sequel.
An engaging superhero story with deep themes.Pub Date: June 29, 2016
ISBN: N/A
Page Count: 247
Publisher: CreateSpace
Review Posted Online: June 2, 2016
Kirkus Reviews Issue: Aug. 1, 2016
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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