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Tallah

THE SEQUEL TO GRAVITY BREAKER

A nice addition to the series with all the same strengths as the original.

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Miller (Gravity Breaker, 2016, etc.) picks up Tallah Williams’ story in this second installment as she uses and abuses her gravity-controlling power in an attempt to fit in to—or remake—the world she lives in.

As the story opens, 20 years after the events of Gravity Breaker, Tallah is no longer a young teenager alone in the world; she’s a powerful woman who built a new city out of the Florida wilderness for African-American residents. But when Tallah’s childhood friend stabs her, Miller flashes back two decades to show readers how things got to this point. It begins with Tallah living rough, alone, in San José, California, learning the limits of her gravity-controlling powers and experimenting with rendering things invisible by manipulating a thin coating of dust. She carries this dust with her and even names it, which shows just how alone she is. Then she meets Harmony, an older teen who likes drugs, the environment, and having fun. But after Tallah reveals her powers to her, Harmony hatches plans involving career criminals, which drives a wedge into the girls’ friendship. Later, feeling betrayed and aimless, Tallah destroys part of a national park and ends up founding the city of Fort Mose, named after the first free African-American settlement in America. But founding a city comes with its own problems and dangers, leaving Tallah with the same question: where—and how—does she belong? As in Miller’s first book in the series, the protagonist is engaging; she’s flawed and believable while still maintaining a fundamental relatability. Again, the sci-fi elements are grounded in heavy, timely societal issues; here, they involve race and gender, with Tallah as an African-American woman trying to survive in a system that's stacked against her. The time frame occasionally slows down or jumps forward—years of Tallah’s life are covered in a few paragraphs—but the prose is mostly smooth and controlled. The ending promises another installment as well as something that will change the story’s fictional world.

A nice addition to the series with all the same strengths as the original.

Pub Date: Oct. 23, 2016

ISBN: 978-1-5394-9590-1

Page Count: 226

Publisher: CreateSpace

Review Posted Online: Nov. 15, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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