The acclaimed writer offers a collection of essays about America and Americana.
Arranged chronologically (1993–2010), these pieces chart Raban’s (Surveillance, 2007, etc.) move in 1990 from London to Seattle and show his various explorations of the geography, politics and sociology of his newly adopted land. In the introduction, he writes about his love of reading, crediting his mother for teaching the skill and instilling the desire and critic William Empson for showing him how to read deeply. (Empson reappears in Raban’s penultimate piece.) Throughout, Raban reveals the traits that have long endeared him to his readers—a curiosity about the quirkiness of people and places, a ferocious love for the land, an elegance (but never pretentiousness) of style, self-deprecation and an unusual ability to inhabit the imaginations of his interlocutors. In the forests around Seattle, for example, he displays his understanding of both loggers and tree-huggers, land-lovers and -developers. He understands resentments. In the title essay, readers may be amused to note that he records a visit to Forks, Wash., now world-famous as the setting for the Twilight novels. Throughout his American odyssey, Raban writes about Mark Twain, Puget Sound, the Mississippi River floods, the dams on the Columbia River, waves along the Oregon coast, the sailor Joshua Slocum, sailing, the evolving architecture of Seattle, Seahawks’ fans in Montana, the vicissitudes of Robert Lowell and prominent Republicans (George W. Bush, Sarah Palin) and the Tea Party, for whom he has slight regard. Occasionally, he leaps back to his native England to write of Philip Larkin and George IV. As in any such collection, some repetitiveness emerges, but never enough to annoy. Full of ideas that move through the language with the grace of a well-captained sailboat.
Pub Date: Sept. 13, 2011
ISBN: 978-0-307-37991-7
Page Count: 512
Publisher: Pantheon
Review Posted Online: June 28, 2011
Kirkus Reviews Issue: July 1, 2011
IN THE NEWS
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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