A quirky exploration of the everyday icons of the digital realm and their symbolic meanings.
A book of poems about everyday digital symbols.
Price examines the deeper meanings underlying computer icons in this unconventional poetry collection. Combining technical insight and artistic expression, the poet focuses on 100 icons (of the available 3,000) from Google’s Material Design set, asking questions such as, “Is the image beautiful? Does the shape invite me to tap? Does the picture telegraph what the icon can do for me?” He considers how several of the icons we use daily are relics of the past, from an attachment’s paper clip (“reminder / Of paper pages”) to an email’s letter shape (“The stamp—how quaint!”). The transition from tactile to virtual and the related grief over the loss of a physical world are recurring themes in the collection. “Brush” considers the “ancient tool” that “says take me in your hand, / Feel the soft bristles, dip them, and paint.” Of the heart icon users rely on to “favorite” online posts, he writes, “How many meanings this sign enacts. / It performs as noun, verb, and glyph” (“Favorite”). The bell, that incessant “attention parasite” that notifies users of activity, reminds the author of “the brass dinner bell that called / My grandfather in from loading hay” (“Bell”). “Reply_all” earns the label of “The most dangerous icon of all,” provoking shame that “sends you racing back, / As you replay that one unthinking click.” Price ends on “Ampersand,” praising that “Elegant emblem / Ornate placeholder / Connective pointer.” These poems are short yet thought-provoking, inviting readers to slow down and consider the meanings of the icons they mindlessly tap all day long. Though the topic might seem at odds with poetry, Price blends the two seamlessly, as in “360,” based on the rounded arrow that allows users to rotate views on a map: “Imagination cannot show me such a tour. / This icon launches code, / Spins the Earth around its axis, / Turns a city street into a whirl, / And races like an angel around a volcano.”
A quirky exploration of the everyday icons of the digital realm and their symbolic meanings.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: July 25, 2024
Review Program: Kirkus Indie
BOOK REVIEW
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.
Words that made a nation.
Isaacson is known for expansive biographies of great thinkers (and Elon Musk), but here he pens a succinct, stimulating commentary on the Founding Fathers’ ode to “life, liberty, and the pursuit of happiness.” His close reading of the Declaration of Independence’s second sentence, published to mark the 250th anniversary of the document’s adoption, doesn’t downplay its “moral contradiction.” Thomas Jefferson enslaved hundreds of people yet called slavery “a cruel war against human nature” in his first draft of the Declaration. All but 15 of the document’s 56 signers owned enslaved people. While the sentence in question asserted “all men are created equal” and possess “unalienable rights,” the Founders “consciously and intentionally” excluded women, Native Americans, and enslaved people. And yet the sentence is powerful, Isaacson writes, because it names a young nation’s “aspirations.” He mounts a solid defense of what ought to be shared goals, among them economic fairness, “moral compassion,” and a willingness to compromise. “Democracy depends on this,” he writes. Isaacson is excellent when explaining how Enlightenment intellectuals abroad influenced the founders. Benjamin Franklin, one of the Declaration’s “five-person drafting committee,” stayed in David Hume’s home for a month in the early 1770s, “discussing ideas of natural rights” with the Scottish philosopher. Also strong is Isaacson’s discussion of the “edits and tweaks” made to Jefferson’s draft. As recommended by Franklin and others, the changes were substantial, leaving Jefferson “distraught.” Franklin, who emerges as the book’s hero, helped establish municipal services, founded a library, and encouraged religious diversity—the kind of civic-mindedness that we could use more of today, Isaacson reminds us.
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.Pub Date: Nov. 18, 2025
ISBN: 9781982181314
Page Count: 80
Publisher: Simon & Schuster
Review Posted Online: Aug. 29, 2025
Kirkus Reviews Issue: Oct. 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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