by Jonathan Safran Foer ‧ RELEASE DATE: Nov. 2, 2009
A blend of solid—and discomforting—reportage with fierce advocacy that will make committed carnivores squeal.
Celebrated novelist Foer (Extremely Loud and Incredibly Close, 2005, etc.) examines the ethics and practical realities of eating things with faces.
The author’s first book-length work of nonfiction opens with a reminiscence of a grandmother who scraped for food to stay alive during the dark years of the Holocaust, yet refused to violate kashrut law to eat a proffered piece of pork, saying, “If nothing matters, there’s nothing to save.” Against that time of want and the food insecurity his grandmother expressed for the rest of her life, Foer examines this time of too-muchness, of cupboards full of luxuries and days full of meaty meals made possible by an elaborate system of factories, stockyards and slaughterhouses. “Eating animals,” he writes, “is one of those topics, like abortion, where it is impossible to definitively know some of the most important details…and that cuts right to one’s deepest discomforts, often provoking defensiveness or aggression.” To his credit, the author is not shy of exploring his own discomforts while engaging in near-Talmudic analyses of the finer points of being a carnivore: If a pig is as smart as, if not smarter, than a dog and just as fond of playing with toys, then why aren’t they allowed to curl up next to the fire with us? Of course, Foer allows, there are cultures where eating dogs is considered a good thing, though none that come to mind where having pigs as pets is common. Given the environmental costs of eating meat—“for every ten tuna, sharks, and other large predatory fish that were in our oceans fifty to a hundred years ago, only one is left”—and the looming sense that a time of scarcity is again in the offing, Foer’s case for ethical vegetarianism is wholly compelling.
A blend of solid—and discomforting—reportage with fierce advocacy that will make committed carnivores squeal.Pub Date: Nov. 2, 2009
ISBN: 978-0-316-06990-8
Page Count: 352
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2009
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IN THE NEWS
by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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BOOK TO SCREEN
by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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