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LONDON 1900

THE IMPERIAL METROPOLIS

A thorough, impressive tour of imperial London a century ago and of the dissenting voices that finally helped the sun set on this bastion of Eurocentrism. History professor Schneer (Georgia Institute of Technology) lets readers view the grimy streets, polished offices, and dockside warehouses of old London, as well as the hearts and minds of its elitist, racist denizens. History’s greatest empire, controlling 400 million people, was governed from a metropolis of 6 million, with a vast port and financial center. Yet while the horns of African rhinos and skins of Canadian seals piled up alongside mineral and material wealth taken in “tribute” from the West Indies, South Africa, Australia, India, etc., Schneer produces those who defied the “continual barrage of imperialist propaganda.” Beginning with half a million Irish and swelled by eastern and central Europeans, Jews, and Asians, there were sufficient foreigners and people of color to bristle at the exotic, caged “darkie” and animal spectacles and to join liberals, unionists, and early feminists who fought the many injustices of Britannia. Schneer documents the battles of several individuals who saw beyond the profits of near-slave labor on Chinese railroads, Latin American sugarcane fields, African mines, Borneo rubber plantations, and Ceylonese tea farms. Just as Ben Tillet’s Stevedores Union took on London shipping, Lord George Hamilton “did not believe that Indians should serve as cannon fodder” as conflicts beside the Boer War flared. A cultural hero and pioneer of anthropological relativism was Mary Kingsley, who explored deepest Africa and shockingly concluded that blacks are different, not inferior. Schneer’s masterful work reminds us how far we—ve come in our ongoing Copernican revolution to prove that the globe doesn—t revolve around white English-speaking men. (40 illustrations, not seen)

Pub Date: Sept. 1, 1999

ISBN: 0-300-07625-8

Page Count: 416

Publisher: Yale Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1999

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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