A thorough, impressive tour of imperial London a century ago and of the dissenting voices that finally helped the sun set on this bastion of Eurocentrism. History professor Schneer (Georgia Institute of Technology) lets readers view the grimy streets, polished offices, and dockside warehouses of old London, as well as the hearts and minds of its elitist, racist denizens. History’s greatest empire, controlling 400 million people, was governed from a metropolis of 6 million, with a vast port and financial center. Yet while the horns of African rhinos and skins of Canadian seals piled up alongside mineral and material wealth taken in “tribute” from the West Indies, South Africa, Australia, India, etc., Schneer produces those who defied the “continual barrage of imperialist propaganda.” Beginning with half a million Irish and swelled by eastern and central Europeans, Jews, and Asians, there were sufficient foreigners and people of color to bristle at the exotic, caged “darkie” and animal spectacles and to join liberals, unionists, and early feminists who fought the many injustices of Britannia. Schneer documents the battles of several individuals who saw beyond the profits of near-slave labor on Chinese railroads, Latin American sugarcane fields, African mines, Borneo rubber plantations, and Ceylonese tea farms. Just as Ben Tillet’s Stevedores Union took on London shipping, Lord George Hamilton “did not believe that Indians should serve as cannon fodder” as conflicts beside the Boer War flared. A cultural hero and pioneer of anthropological relativism was Mary Kingsley, who explored deepest Africa and shockingly concluded that blacks are different, not inferior. Schneer’s masterful work reminds us how far we—ve come in our ongoing Copernican revolution to prove that the globe doesn—t revolve around white English-speaking men. (40 illustrations, not seen)
Pub Date: Sept. 1, 1999
ISBN: 0-300-07625-8
Page Count: 416
Publisher: Yale Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1999
BOOK REVIEW
BOOK REVIEW
The memoir of George Dawson, who learned to read when he was 98, places his life in the context of the entire 20th century in this inspiring, yet ultimately blighted, biography. Dawson begins his story with an emotional bang: his account of witnessing the lynching of a young African-American man falsely accused of rape. America’s racial caste system and his illiteracy emerge as the two biggest obstacles in Dawson’s life, but a full view of the man overcoming the obstacles remains oddly hidden. Travels to Ohio, Canada, and Mexico reveal little beyond Dawson’s restlessness, since nothing much happens to him during these wanderings. Similarly, the diverse activities he finds himself engaging in—bootlegging in St. Louis, breaking horses, attending cockfights—never really advance the reader’s understanding of the man. He calls himself a “ladies’ man” and hints at a score of exciting stories, but then describes only his decorous marriage. Despite the personal nature of this memoir, Dawson remains a strangely aloof figure, never quite inviting the reader to enter his world. In contrast to Dawson’s diffidence, however, Glaubman’s overbearing presence, as he repeatedly parades himself out to converse with Dawson, stifles any momentum the memoir might develop. Almost every chapter begins with Glaubman presenting Dawson with a newspaper clipping or historical fact and asking him to comment on it, despite the fact that Dawson often does not remember or never knew about the event in question. Exasperated readers may wonder whether Dawson’s life and his accomplishments, his passion for learning despite daunting obstacles, is the tale at hand, or whether the real issue is his recollections of Archduke Ferdinand. Dawson’s achievements are impressive and potentially exalting, but the gee-whiz nature of the tale degrades it to the status of yet another bowl of chicken soup for the soul, with a narrative frame as clunky as an old bone.
Pub Date: Feb. 1, 2000
ISBN: 0-375-50396-X
Page Count: 288
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1999
Occasionally unfocused, but redeems itself by putting a vivid, human face on an unimaginable nightmare.
A ground-level illustration of how the plague ravaged Europe.
For his tenth book, science writer Kelly (Three on the Edge, 1999, etc.) delivers a cultural history of the Black Death based on accounts left by those who witnessed the greatest natural disaster in human history. Spawned somewhere on the steppes of Central Asia, the plague arrived in Europe in 1347, when a Genoese ship carried it to Sicily from a trading post on the Black Sea. Over the next four years, at a time when, as the author notes, “nothing moved faster than the fastest horse,” the disease spread through the entire continent. Eventually, it claimed 25 million lives, one third of the European population. A thermonuclear war would be an equivalent disaster by today's standards, Kelly avers. Much of the narrative depends on the reminiscences of monks, doctors, and other literate people who buried corpses or cared for the sick. As a result, the author has plenty of anecdotes. Common scenes include dogs and children running naked, dirty, and wild through the streets of an empty village, their masters and parents dead; Jews burnt at the stake, scapegoats in a paranoid Christian world; and physicians at the University of Paris consulting the stars to divine cures. These tales give the author opportunities to show Europeans—filthy, malnourished, living in densely packed cities—as easy targets for rats and their plague-bearing fleas. They also allow him to ramble. Kelly has a tendency to lose the trail of the disease in favor of tangents about this or that king, pope, or battle. He returns to his topic only when he shifts to a different country or city in a new chapter, giving the book a haphazard feel. Remarkably, the story ends on a hopeful note. After so many perished, Europe was forced to develop new forms of technology to make up for the labor shortage, laying the groundwork for the modern era.
Occasionally unfocused, but redeems itself by putting a vivid, human face on an unimaginable nightmare.Pub Date: Feb. 1, 2005
ISBN: 0-06-000692-7
Page Count: 384
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2005
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