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MASS INCARCERATION ON TRIAL

Name: MASS INCARCERATION ON TRIAL
Author: Jonathan Simon
ISBN: 978-1-59558-769-5

A REMARKABLE COURT DECISION AND THE FUTURE OF PRISONS IN AMERICA

by Jonathan Simon ‧ RELEASE DATE: Aug. 5, 2014

A sound, sobering report that’s more educative than eye-opening.

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A scholarly treatise on the case for American penal reform.

Simon (Law/Univ. of California; Governing Through Crime: How the War on Crime Transformed American Democracy and Created a Culture of Fear, 2008) offers an update on the American prison industry and applauds its more recent progression from the inhumanely overpopulated confinement of past decades to what he terms as an “ebbing” evolution toward more dignified treatment of incarcerated individuals. He chronicles prison history back to the 1970s and ’80s—decades of “extreme penology”—and looks at how California, amassing over 150 victims of serial killings throughout that era, became the epicenter of monstrous criminal activity with the only foreseeable solution being extreme incarceration. Simon astutely documents the sea change in prison reform simmering throughout the mid-1990s once community activists and prison specialists began rallying against the “unhinged and unchecked” “supermax” prisons fraught with overcrowding and largely dismissed chronic disease and mental illness issues. Significant litigation then sprung up, citing prisoners’ human rights violations against the state of California, supported with disturbing photographs of barbaric conditions. These cases all culminated in the pivotal 2009 case of Coleman-Plata v. Schwarzenegger and the Supreme Court decision in Brown v. Plata, which set population limits on prisons to preserve inmates’ Eighth Amendment rights. With mass incarceration’s attempt at “twentieth-century correctional modernism” and crime deterrence deemed a failure with marked human rights infringements, California was ordered to drastically reduce prison populations with reframed parole programs and, optimally, improved crime-prevention strategies. Simon makes an impassioned plea for prison reform grounded in human dignity, and he leans toward more broad-brush restructuring into smaller and more specialized correctional facilities.

A sound, sobering report that’s more educative than eye-opening.

Pub Date: Aug. 5, 2014

ISBN: 978-1-59558-769-5

Page Count: 256

Publisher: The New Press

Review Posted Online: June 16, 2014

Kirkus Reviews Issue: July 1, 2014

Categories:

GENERAL NONFICTION

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.