Authoritative in its scope, but dense and unnecessarily difficult.
A thorough but starchy portrait of the father of modern communism.
Sperber (History/Univ. of Missouri; Europe 1850–1914, 2008, etc.) aims to put Karl Marx (1818-1883) squarely within the context of his time, when the French Revolution was long over and the Industrial Revolution was taking hold. He follows Marx through the watershed events of his life, tracing his restless evolution through Hegel’s systematic philosophy and Ludwig Feuerbach’s atheist humanism, ultimately emerging as the full-tilt revolutionary firebrand and economic diagnostician who believed communism was “the solution to the riddle of history.” He also believed that capitalism was in its death throes, and—unless it sank of its own weight—only violent revolution could put it out of its misery. Sperber credibly reveals Marx’s personal and political passions, ironies and contradictions; he was both Jewish and anti-Semitic, and he was an enemy of the bourgeoisie who lived off the profits of his friend Friedrich Engels’ family cotton mill, which had its own share of exploited workers. For Sperber, Marx’s theories of class struggle and profit were shaped by his lifetime, became hardened with age and began to seem dated not long after his death. Also, under the careful husbandry of Engels, those ideas flowered into Marxism (or as some have suggested, Engelsism), which arguably had only a tenuous connection with its founder. Sperber delivers an objective portrait, but his insights are wrested at exhaustive length and demand enormous patience from readers. His writing is dry and clumsy, and the book is so top-heavy with obtuse theoretical explanations that the life itself often gets lost. After awhile, Marx comes across as a tiresome Teutonic windbag.
Authoritative in its scope, but dense and unnecessarily difficult.Pub Date: March 11, 2013
ISBN: 978-0-87140-467-1
Page Count: 512
Publisher: Liveright/Norton
Review Posted Online: Feb. 17, 2013
Kirkus Reviews Issue: March 1, 2013
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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