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KARL MARX

A NINETEENTH-CENTURY LIFE

Authoritative in its scope, but dense and unnecessarily difficult.

A thorough but starchy portrait of the father of modern communism.

Sperber (History/Univ. of Missouri; Europe 1850–1914, 2008, etc.) aims to put Karl Marx (1818-1883) squarely within the context of his time, when the French Revolution was long over and the Industrial Revolution was taking hold. He follows Marx through the watershed events of his life, tracing his restless evolution through Hegel’s systematic philosophy and Ludwig Feuerbach’s atheist humanism, ultimately emerging as the full-tilt revolutionary firebrand and economic diagnostician who believed communism was “the solution to the riddle of history.” He also believed that capitalism was in its death throes, and—unless it sank of its own weight—only violent revolution could put it out of its misery. Sperber credibly reveals Marx’s personal and political passions, ironies and contradictions; he was both Jewish and anti-Semitic, and he was an enemy of the bourgeoisie who lived off the profits of his friend Friedrich Engels’ family cotton mill, which had its own share of exploited workers. For Sperber, Marx’s theories of class struggle and profit were shaped by his lifetime, became hardened with age and began to seem dated not long after his death. Also, under the careful husbandry of Engels, those ideas flowered into Marxism (or as some have suggested, Engelsism), which arguably had only a tenuous connection with its founder. Sperber delivers an objective portrait, but his insights are wrested at exhaustive length and demand enormous patience from readers. His writing is dry and clumsy, and the book is so top-heavy with obtuse theoretical explanations that the life itself often gets lost. After awhile, Marx comes across as a tiresome Teutonic windbag.

Authoritative in its scope, but dense and unnecessarily difficult.

Pub Date: March 11, 2013

ISBN: 978-0-87140-467-1

Page Count: 512

Publisher: Liveright/Norton

Review Posted Online: Feb. 17, 2013

Kirkus Reviews Issue: March 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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