HEROES OF THE VALLEY

This action-packed adventure shrewdly subverts the epic-hero genre even while reaffirming it. Cocky second son Halli Sveinsson runs wild, playing pranks on servants, his older brother and other members of Svein’s House. Svein’s House is the greatest House in the valley because, as the story goes, Svein was the most renowned of the heroes from founding days. When Halli spikes a guest’s ale with noxious tannery fluid, it reawakens a feud and spurs a deadly chain of vengeance. Stroud peppers the prose with wit, sometimes with ironically elevated language (sheep exhibit “ovine caprice,” a frowning face “corrugates sensually”), sometimes with the idioms of a tall tale (warriors “had the satisfaction of hearing several heads go bouncing down upon the rock”). Chapter upon chapter ends with high peril—and each time, a Svein tale interrupts before Halli’s thread picks back up. This hinders the flow but emphasizes the profound cultural permeation of these tales; when Halli confronts not just enemies and monsters but a dead legendary hero, readers will find a provocative examination of religion buried underneath the excitement. (Fantasy. 10-13)

Pub Date: Jan. 27, 2009

ISBN: 978-1-4231-0966-2

Page Count: 480

Publisher: Hyperion

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 15, 2008

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A bit of envelope-pushing freshens up the formula.

HOCUS POCUS AND THE ALL-NEW SEQUEL

In honor of its 25th anniversary, a Disney Halloween horror/comedy film gets a sequel to go with its original novelization.

Three Salem witches hanged in 1693 for stealing a child’s life force are revived in 1993 when 16-year-old new kid Max completes a spell by lighting a magical candle (which has to be kindled by a virgin to work). Max and dazzling, popular classmate Allison have to keep said witches at bay until dawn to save all of the local children from a similar fate. Fast-forward to 2018: Poppy, daughter of Max and Allison, inadvertently works a spell that sends her parents and an aunt to hell in exchange for the gleeful witches. With help from her best friend, Travis, and classmate Isabella, on whom she has a major crush, Poppy has only hours to keep the weird sisters from working more evil. The witches, each daffier than the last, supply most of the comedy as well as plenty of menace but end up back in the infernal regions. There’s also a talking cat, a talking dog, a gaggle of costumed heroines, and an oblique reference to a certain beloved Halloween movie. Traditional Disney wholesomeness is spiced, not soured, by occasional innuendo and a big twist in the sequel. Poppy and her family are white, while Travis and Isabella are both African-American.

A bit of envelope-pushing freshens up the formula. (Fantasy. 10-15)

Pub Date: July 10, 2018

ISBN: 978-1-368-02003-9

Page Count: 528

Publisher: Freeform/Disney

Review Posted Online: June 17, 2018

Kirkus Reviews Issue: July 1, 2018

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Miah’s melodramatic death overshadows a tale as rich in social and personal insight as any of Woodson’s previous books.

IF YOU COME SOFTLY

In a meditative interracial love story with a wrenching climactic twist, Woodson (The House You Pass on the Way, 1997, etc.) offers an appealing pair of teenagers and plenty of intellectual grist, before ending her story with a senseless act of violence.

Jeremiah and Elisha bond from the moment they collide in the hall of their Manhattan prep school: He’s the only child of celebrity parents; she’s the youngest by ten years in a large family. Not only sharply sensitive to the reactions of those around them, Ellie and Miah also discover depths and complexities in their own intense feelings that connect clearly to their experiences, their social environment, and their own characters. In quiet conversations and encounters, Woodson perceptively explores varieties of love, trust, and friendship, as she develops well-articulated histories for both families. Suddenly Miah, forgetting his father’s warning never to be seen running in a white neighborhood, exuberantly dashes into a park and is shot down by police. The parting thought that, willy-nilly, time moves on will be a colder comfort for stunned readers than it evidently is for Ellie.

Miah’s melodramatic death overshadows a tale as rich in social and personal insight as any of Woodson’s previous books. (Fiction. 11-13)

Pub Date: Sept. 1, 1998

ISBN: 0-399-23112-9

Page Count: 181

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 1998

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