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NOT QUITE BLACK AND WHITE

Despite the missteps, parents and teachers looking to insert a message of diversity into a color lesson could do worse.

Animation sensibilities are reflected in the quirky silliness this brother and sister team (he a game designer, she a former Disney artist) brings to their first original picture book.

Eleven anthropomorphic animals drawn in bold black lines against clean white backgrounds each wear a spot of color: a zebra in a pink–polka dot dress, a Dalmatian in a red cape, skunks in blue swim trunks. One drum-playing kitty even sports an aqua mohawk. Each color/animal appears on a spacious double-page spread in which lead initials of the rhyming couplet that forms the text and each color word are printed in the featured color. The rhymes read smoothly for the most part and provide hints for beginning readers. The colors chosen are not the standard crayon-box eight, and unfortunately they are not all pure colors. The vest on the traffic-directing horse is on the dull-brown side of orange, and the maroon flag planted on the moon by a proud badger is more brown than red mixed with purple, making it less than “striking.” The final message brings all the animals together for two final double-page spreads; while not preachy, it is not at all subtle: “From the darkest of dark to the brightest of bright, / we're each pretty special, not quite BLACK and WHITE.”

Despite the missteps, parents and teachers looking to insert a message of diversity into a color lesson could do worse. (Picture book. 3-5)

Pub Date: Sept. 6, 2016

ISBN: 978-0-06-238066-1

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: July 19, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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HEDGEHOGS DON'T WEAR UNDERWEAR

Sure to have little ones giggling.

Jacques is a hedgehog with a big secret: “I wear real, bona fide underwear.”

Our narrator received a mysterious package one day; an illustration shows a pair of underwear tied to a balloon with a note “from the Universe” floating down into Jacques’ burrow. Hedgehogs don’t wear underwear, however. Will Jacques be shunned? Jacques worries but comes to a decision: “I have to wear them. When I do I feel special.” Determined, Jacques, who’s been invited to a party, makes a dramatic entrance, with undies in hand. Jacques’ declaration (“I WEAR UNDERWEAR”) is met with remarks of dismay, before another hedgehog opens up about similar fears and shows off a pair of cowboy boots. More hedgehogs introduce themselves with their own confessions. The story ends with Jacques unveiling a painting of the underwear in a gallery filled with hedgehogs wearing all sorts of attire. Though the book is simple in plot, characters, and setting, it wins in its balance of bathroom humor, dramatic storytelling, and celebrations of individual expression. French words are peppered throughout, adding to the fun without detracting from the story for those unfamiliar with the language. The cartoonish illustrations brim with fun; Valdez relies heavily on geometric shapes (triangle noses for the hedgehogs; huge circles for their eyes). Details such as speech bubbles and recurring turtle and snake characters contribute to the outlandish humor.

Sure to have little ones giggling. (Picture book. 3-5)

Pub Date: April 1, 2025

ISBN: 9781250814388

Page Count: 40

Publisher: Roaring Brook Press

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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