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ELSA AND THE NIGHT

A subdued, mildly soporific bedtime story with sophisticated emotional and metaphorical levels to explore for those so...

In this poignant import, a lonely badger who hasn’t slept in 30 years discovers Night hiding under her sofa and pops it into a cake tin.

Though Elsa initially expresses indifference that the constant daylight has everyone in town stumbling wearily about, she soon releases her captive. Giving it a cup of blackberry juice, she confides that she lost the ability to sleep through years of lighthouse tending with beloved elephant companion Olaf and, later, alone. Following tears and a shared outing to Olaf’s grave, she drops off at last, whereupon Night tenderly lifts her up and then passes back through town breathing cool winds and going “from house to house, tucking everyone into bed.” Elsa and the other city residents sport dot-eyed animal heads in Mellgren’s blocky, screen-printed scenes. Night starts off as a small, featureless blue blot but grows as the pages turn, ultimately acquiring stars and silhouetted buildings with lit windows as it spreads over emptied streets.

A subdued, mildly soporific bedtime story with sophisticated emotional and metaphorical levels to explore for those so inclined. (Picture book. 5-8)

Pub Date: Aug. 1, 2014

ISBN: 978-3-89955-716-9

Page Count: 32

Publisher: Little Gestalten

Review Posted Online: June 24, 2014

Kirkus Reviews Issue: July 15, 2014

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STINK AND THE MIDNIGHT ZOMBIE WALK

From the Stink series

This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the...

An all-zombie-all-the-time zombiefest, featuring a bunch of grade-school kids, including protagonist Stink and his happy comrades.

This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the streets in the time-honored stiff-armed, stiff-legged fashion. McDonald signals her intent on page one: “Stink and Webster were playing Attack of the Knitting Needle Zombies when Fred Zombie’s eye fell off and rolled across the floor.” The farce is as broad as the Atlantic, with enough spookiness just below the surface to provide the all-important shivers. Accompanied by Reynolds’ drawings—dozens of scene-setting gems with good, creepy living dead—McDonald shapes chapters around zombie motifs: making zombie costumes, eating zombie fare at school, reading zombie books each other to reach the one-million-minutes-of-reading challenge. When the zombie walk happens, it delivers solid zombie awfulness. McDonald’s feel-good tone is deeply encouraging for readers to get up and do this for themselves because it looks like so much darned fun, while the sub-message—that reading grows “strong hearts and minds,” as well as teeth and bones—is enough of a vital interest to the story line to be taken at face value.

Pub Date: March 13, 2012

ISBN: 978-0-7636-5692-8

Page Count: 160

Publisher: Candlewick

Review Posted Online: Dec. 13, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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I WISH YOU MORE

Although the love comes shining through, the text often confuses in straining for patterned simplicity.

A collection of parental wishes for a child.

It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.

Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)

Pub Date: April 1, 2015

ISBN: 978-1-4521-2699-9

Page Count: 40

Publisher: Chronicle Books

Review Posted Online: Feb. 15, 2015

Kirkus Reviews Issue: March 1, 2015

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