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CATCHING THE WOLF OF WALL STREET

Still a hustler, still a salesman—and also a hell of a writer.

After serving time in federal minimum-security prison for stock fraud, money laundering and other financial crimes, Belfort offers another coarse, lively text as a companion to The Wolf of Wall Street (2007).

That unsavory bestseller chronicled the rise of a cocky thief who actually operated a bucket shop in Long Island, not lower Manhattan. This is about his fall. It’s also about money and sex, featuring erotic histrionics and rancid uxorious relations. The language is still nasty, the braggadocio intact. No lovable scamp, Belfort remains cunning and vainglorious, frequently mentioning the cost of his clothing and his furniture, sneering at the cheap shoes and Bic lighters of his federal captors. After all, he once had the mansions, the yacht, the money. But he confessed and became a cooperating informant. He ratted on friends and thieving comrades. He wore a wire. His new memoir is graphic, at once lowdown and over-the-top. Included is the collapse of his second marriage to “the Duchess of Bay Ridge,” a classic trophy wife he had bugged for his own reasons. He got engaged to Miss Soviet Union. He dallied with a “self-proclaimed Jewish blow-job queen” and dabbled in what he calls “model-mongering.” He jumped bail and broke his cooperation agreement by taking an ill-fated trip to Atlantic City with an underage “model.” Withal, his love for his two children remained. In reward for his cooperation he served less than two years. In the Big House he bunked with Tommy Chong, who guided him in the craft of authorship. Chong, whose sincere, flaky memoir (The I Chong, 2006) is half as long as his student’s, apparently forgot to impart the rule of Less is More.

Still a hustler, still a salesman—and also a hell of a writer.

Pub Date: March 3, 2009

ISBN: 978-0-553-80704-2

Page Count: 480

Publisher: Bantam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2008

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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