Nicely done and genuinely funny though overlong: a satire that would benefit from Polonius’s famous dictum: “Brevity is the...
Slate.com journalist Ellenberg, a well-known Princeton mathematician, debuts with this tale of a deranged scholar out west who devotes his life to the study of the worst poet in history.
We’re introduced to the woebegone campus of Chandler State University, founded in 1871 on the site of the gold mine where prospector Tip Chandler struck it rich. The mine played out decades ago, but the college remains: an island of intellectual mediocrity in a ghost town in the middle of the desert. Chandler is famous for only one thing: its world-renowned Department of Gravinics, dedicated to the study of a Monaco-sized country in the Carpathian Mountains that was swallowed up in the 1920s by the Soviet Union. Gravine’s most famous poet was an English expatriate named Henderson, and the world’s foremost Henderson scholar is Chandler’s own Stanley Higgs, a Chandler alum who discovered a stash of Henderson’s poetry in Berlin and returned to Chandler to codify the manuscripts. The fact that Henderson’s poetry is considered unreadable by just about everyone makes his discovery only more of an event, and soon Higgs has become a star in his own right, attracting students from both coasts and abroad. But, like many an academic superstar, Higgs has his personality quirks, the most notable being his refusal to speak. At first he’s merely taciturn, but eventually he gives up on talking altogether—with disastrous results for his lectures, of course, and for the university, which is desperate to regain the services of its most prized teacher. A surveillance squad is assigned to monitor Higgs around the clock for signs of vocal return. Meanwhile, Higgs’s dogged research into the whereabouts of Henderson (who may still be alive) begins to bear fruit. Will Henderson himself speak again before Higgs does? And, more to the point, will either one have anything worthwhile to say?
Nicely done and genuinely funny though overlong: a satire that would benefit from Polonius’s famous dictum: “Brevity is the soul of wit.”Pub Date: April 1, 2003
ISBN: 1-56689-139-6
Page Count: 256
Publisher: Coffee House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
BOOK REVIEW
BOOK REVIEW
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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