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THE NABI

A fast-paced adventure that delivers an odd mix of Bible-fueled action and clumsy dialogue.

A supernatural novel focuses on harnessing the power of Scripture.

Hampton (The Mentality, 2012, etc.) presents Aiden Zane: an Air Force veteran living a seemingly lonely existence in Edgehaven, Arizona. When readers first meet Aiden, he is in church fighting back tears. The cause of his dismay goes back some years, to a time when he and a close associate named Eran Hewer became “guardians of this world.” While on a special mission in Israel, Aiden and Eran were informed by the prophet Elijah that they would be trained to become Nabi’im. They would learn to harness superherolike powers that come not from a magical item or a radioactive accident but directly from the Holy Spirit. To utilize their abilities, they would quote Scripture. And they would need to get pretty good at that with the many dangers they would face. Eventually, Eran failed to resist temptation and he wound up releasing Lucifer into the world. Lucifer now has new plans for humanity’s destruction. Luckily for Aiden, a bold woman named Maya Hadarah is on his side. Will they have what it takes to stop Lucifer’s latest rebellion? The story progresses quickly and the action is rampant. As both fists and biblical quotes fly, the book provides a fresh angle on the idea of an epic battle. Perhaps most intriguingly, Lucifer even summons some bad guys from the Bible, such as the Canaanite god Moloch. While such details give the novel depth, other aspects are not as tightly knit. Dialogue can be awkward and even confusing, as when a policeman looking for someone named Bloodsport says to Maya: “If you don’t know where he is, then I don’t think we’d be wrong to assume that you’re him yourself!” The scene is further jumbled by the fact that Maya later repeats what happened to Aiden even though readers are well aware of that situation. Yet the narrative keeps moving with angels, demons, and the fate of the world hanging in the balance. It all culminates in an ending that is as unexpected as the idea of heroes powered by sacred texts.

A fast-paced adventure that delivers an odd mix of Bible-fueled action and clumsy dialogue.

Pub Date: April 11, 2016

ISBN: 978-0-692-68328-6

Page Count: 290

Publisher: Time Tunnel Media

Review Posted Online: May 12, 2019

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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