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MOSQUITOES CAN'T BITE NINJAS

Pass.

A mosquito doesn’t stand a chance against a ninja.

While clearly intended as a humorous text about a pesky mosquito and a pint-sized “ninja,” the depiction of the latter brings up troublesome characterization matters. The opening text declares that “mosquitoes bite all kinds of people,” and the cartoon-style art (reminiscent of Kate Beaton’s work) provides an aerial view of the insect zooming toward a diverse community. The ninja is depicted apart from this community, is assigned no pronouns, and is always clad in black clothing that leaves only eyes visible. The ninja’s skin is light brown—a darker shade than some people in the earlier depicted characters and lighter than others—and the ninja is described as “sneakier” and “quicker” than the mosquito. In the picture depicting quickness, the ninja sits cross-legged on the ground and, with narrowed eyes glancing to the side, grabs the mosquito in midair with twigs held like chopsticks. Combined, these cues reinforce Asian stereotypes. The child-sized ninja doesn’t appear to be playing pretend, nor to belong to a family, but is joined by a “baby ninja” who wears colorful clothes and a ninja mask. The story’s resolution arrives when, instead of being bitten, the ninja bites (and evidently swallows) the mosquito when it gets stuck in a jam sandwich, delivering a bizarre end to the fraught tale.

Pass. (Picture book. 4-6)

Pub Date: March 28, 2017

ISBN: 978-1-68119-215-4

Page Count: 32

Publisher: Bloomsbury

Review Posted Online: Dec. 5, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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PIRATES DON'T TAKE BATHS

Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)

Pub Date: March 1, 2011

ISBN: 978-0-399-25425-3

Page Count: 32

Publisher: Philomel

Review Posted Online: Jan. 25, 2011

Kirkus Reviews Issue: Feb. 1, 2011

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