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GOODNIGHT ALREADY!

From the Goodnight Already! series

That’s all, though, folks. With its one-joke plot and dramatic potential, it’s better suited to school and library use than...

Animals with differing internal rhythms find it challenging to be neighbors in this nocturnal tale.

Duck is full of energy; sitting in his brightly lit, yellow kitchen, he sips coffee while perusing 101 Ways to Stay Awake. Bear, by contrast, stands sleepily at the base of the staircase in his dimly lit living room, stuffed rabbit dangling from one massive paw. Just after Bear climbs the steps and settles in, Duck raps on the door, wide awake. "Wanna play cards?…Watch a movie?…Start a band?…Make smoothies?" To each suggestion, Bear simply says “No.” This pattern plays out three times, each episode ending with one or the other voicing the titular refrain until the beleaguered bear is finally wide awake, and the duck drifts off. The relationship between a lumbering, grumpy character and a frenetic extrovert will be familiar to grown-up fans of cartoons, and Duck’s ludicrous behavior and costumes will no doubt elicit giggles from young listeners. Davies brings an animator’s sensibility to his uncluttered compositions; variation in page color and typeface as well as skillful manipulation of facial features signal emotional states. The texture of the hairy bear and the occasional patterns on the floor and bedspread add interest to the flat backgrounds.

That’s all, though, folks. With its one-joke plot and dramatic potential, it’s better suited to school and library use than repeat readings in a lap at home. (Picture book. 3-6)

Pub Date: Dec. 2, 2014

ISBN: 978-0-06-228620-8

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 13, 2014

Kirkus Reviews Issue: Oct. 1, 2014

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LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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