A posthumous gathering of tales by the noted Cuban-American writer (The Old Gents, see below). Yglesias (191995) was an accomplished novelist who, judging from the pieces in this collection, his first and only, used the story form mainly to explore in miniature the themes that supported the more graceful architecture of his novels. Indeed, the last story here, ``An Idea for a Story,'' reads like a rough draft of his final novel, The Old Gents. Running throughout are the key motifs of his body of work, the debt owed to youth by age, the struggle to hold onto the political fervor of one's early years and, most of all, the tensions between Latino and non-Latino in the contemporary US, often as played out in a single person's identity. The best of these stories, ``The Place I Was Born'' and ``An Idea for a Story,'' have a wry, droll humor that serves to underline rather than undercut their basic seriousness. Other entries, particularly the title piece (a tale of a good, gray liberal whose son is involved in the 1968 Columbia University uprising), and ``In the Bronx'' (in which a middle-class Latina is forced to come to grips with her roots in the barrio) are weighed down with topical references that date awkwardly. For all the obvious sincerity of his political commitments, Yglesias is most inspired when writing about the micro-politics of family life and sex, as in ``Celia's Family'' and ``The Place I Was Born.'' It is useful to have his stories collected in one volume, but it's also clear that Yglesias was always a more effective writer when he worked on a larger canvas.
Pub Date: Oct. 1, 1996
ISBN: 1-55885-182-8
Page Count: 185
Publisher: Arte Público
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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