Yglesias's last novel, published by the same house that has recently issued the Break-In (p. 259) and a collection of the author's stories (see above). This gently droll valedictory is made up of the first-person musings of Germ†n Moran, an eightysomething novelist recently diagnosed with prostate cancer. Moran, who has stopped writing except for daily jottings in a desk calendar, is trying to live out his remaining days with as much dignity as his three loving, prying sons—also writers—will allow him, when an encounter with an enchanting young neighbor suddenly convinces him that he must carry on for her sake. And so Moran finds himself competing romantically with his middle son and two of his neighbors for the attention of a woman 60 years his junior, while also searching for a miracle cure for his illness. Moran tells this story in the witty (if meandering) tone given him by Yglesias, warning the reader at the outset that ``if you stick with me, I shall stray.'' And stray he does, pausing to consider his roots in the Cuban-American section of Tampa, delivering several diatribes against the ex-wife he calls Fatso, and offering recollections of his old political struggles (the novel is particularly astute in its rendering of the lives and regrets of aging devotees of the '30s left). Eventually, though, the old man must face the reality of his situation, surrendering to age, if not to death, learning that even the miracle cure he has found won't stave off the inevitable forever. The final movement here feels severely truncated, as if death had crept up on the author before he had fully plotted the ending, but until those rushed last pages, this is a shrewdly written, bittersweet work. An unsatisfyingly abrupt ending can't dim the glow of the low-key pleasures to be had here.
Pub Date: Oct. 1, 1996
ISBN: 1-55885-161-5
Page Count: 176
Publisher: Arte Público
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
