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DEAR GOD, HAVE YOU EVER GONE HUNGRY?

A Schindler Jew’s mediocre Holocaust memoir, buoyed by its generous humor and often fetching illustrations. As Holocaust memoirs go, Bau’s isn—t remarkably full of depravity, heroism, or miraculous escapes. Instead, for much of the memoir’s first half, the teenaged protagonist is incarcerated with his family in the ghetto of Krakow. Much of the black humor that pervades this section involves Joseph, as unpaid graphic artist, and his ever-scheming, comic-optimist brother Marcel, who tries to parlay Joseph’s skill into life-giving work permits and even financial rewards from their Nazi overlords. But relentless hunger, as the title suggests, is really the chief theme; the funniest section involves the misadventures that prevent three different sources of food from providing a beggar’s banquet. Still, Bau writes in earnest (and how could he not?): the ghetto is liquidated on March 13, 1943, and some 2,000 Jews are butchered in the process. Accordingly, the authorial eye observes a woman’s hand, protruding from a shallow mass grave, “pointing an accusing finger . . . as if to warn the killers that their hour of reckoning would surely come.” A latrine is then built above the grave. The inhumanity and inanity of the situation give Bau just the right opportunity for his understated wit, which proves to be the key to his survival, offered in resistance to a range of horrific events. He tells of his courtship and marriage to Rebecca Tannenbaum in the camp. Climactically, in the memoir’s final chapter, the now elderly Israeli couple braces as they—re called to testify at the Vienna trial of the Plaszow concentration camp’s killer of Blau’s father. Many of Bau’s 100 or so childish line drawings offer emotive illustration. He includes a few maudlin and inartistic poems that add little to this memoir.

Pub Date: July 1, 1998

ISBN: 1-55970-431-4

Page Count: 240

Publisher: Arcade

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1998

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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