In the spirit of the traditional “Hare and the Tortoise,” the Bruchacs retell a Seneca tale. Turtle is happy in his pond, which is just deep enough and has rocks to sun on. When Beaver decides to make some changes, consequently making the pond deeper and submerging the rocks, Turtle knows they must discuss how to share the pond. Not willing to share, Beaver challenges Turtle to a swim across the pond; the victor shall have the pond all to himself. Predictably, Turtle outwits Beaver, and despite Turtle’s offer that they can still share the space, Beaver leaves in embarrassment. Beaver travels to a nearby pond, but this time he’s willing to share with the turtle he finds there. The artists’ trademark energy-filled pen-and-ink and gouache illustrations enhance the tale with color and humor. Each animal bursts with personality in this sure winner. (Picture book/folklore. 5-9)
Pub Date: Sept. 1, 2003
ISBN: 0-8037-2852-2
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Aug. 15, 2003
Categories: CHILDREN'S GENERAL CHILDREN'S
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The seemingly ageless Seeger brings back his renowned giant for another go in a tuneful tale that, like the art, is a bit sketchy, but chockful of worthy messages. Faced with yearly floods and droughts since they’ve cut down all their trees, the townsfolk decide to build a dam—but the project is stymied by a boulder that is too huge to move. Call on Abiyoyo, suggests the granddaughter of the man with the magic wand, then just “Zoop Zoop” him away again. But the rock that Abiyoyo obligingly flings aside smashes the wand. How to avoid Abiyoyo’s destruction now? Sing the monster to sleep, then make it a peaceful, tree-planting member of the community, of course. Seeger sums it up in a postscript: “every community must learn to manage its giants.” Hays, who illustrated the original (1986), creates colorful, if unfinished-looking, scenes featuring a notably multicultural human cast and a towering Cubist fantasy of a giant. The song, based on a Xhosa lullaby, still has that hard-to-resist sing-along potential, and the themes of waging peace, collective action, and the benefits of sound ecological practices are presented in ways that children will both appreciate and enjoy. (Picture book. 5-9)
Pub Date: Oct. 1, 2001
ISBN: 0-689-83271-0
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Sept. 15, 2001
Categories: CHILDREN'S GENERAL CHILDREN'S
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Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: June 1, 2000
Categories: CHILDREN'S GENERAL CHILDREN'S
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