by Joseph Campbell & M.J. Abadie ‧ RELEASE DATE: April 1, 1975
This is a beautifully mounted and exquisitely illustrated, learned expedition through the worlds of myth and dream. "Imagery, especially the imagery of dreams, is the basis of mythology." The illustrations range from Michelangelo and Blake to Van Gogh and Jackson Pollock; many of the photographs are in color and all are striking. The underlying psychology is Jungian, the Oriental discipline accompanying it is that of Yoga, and the intellectual conception throughout focuses on the interleaving of the nonliterate or primitive traditions with the highly literate and convoluted traditions of Buddhism, Christianity, and Islam. Joseph Campbell's concern with comparative religions has always been weighted in favor of the mystical elements inherent in any creed rather than the ethical or social values which are also a part of religious formulations. His mammoth Mythic Image naturally follows this familiar trajectory. The book is dazzling but frankly a bit difficult to follow if not to grasp. It has an air of academic psychedelia. Everything is forever flowing into everything else: the Gospel account of the Last Supper is related to the last meal of Buddha, a few lines from Wordsworth are juxtaposed against lines from the Chhandogya Upanishad. Or everything is being balanced by some opposite: "male and female, active and contemplative, light and dark." And there are so many variations on the theme of "unity in duality," so much talk of gods and fertility cults, cosmic wheels and cosmological views, the four elements and the four seasons, that the reader is soon lost in reverie. Not surprisingly, the most interesting writing doesn't come from Campbell at all, but is to be found in a long extract he presents from Captain Cook's eyewitness account of a bloody sacrifice in the South Seas. Much thought and preparation went into this laudable undertaking; unfortunately it never quite reaches the level of significance its subject warrants.
Pub Date: April 1, 1975
ISBN: 0691018391
Page Count: 576
Publisher: Princeton Univ.
Review Posted Online: May 15, 2012
Kirkus Reviews Issue: April 1, 1975
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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by Albert Camus and Maria Casarès ; translated by Sandra Smith and Cory Stockwell
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by Albert Camus ; translated by Ryan Bloom
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by Albert Camus ; translated by Justin O'Brien & Sandra Smith
by Stephen Batchelor ‧ RELEASE DATE: Feb. 18, 2020
A very welcome instance of philosophy that can help readers live a good life.
A teacher and scholar of Buddhism offers a formally varied account of the available rewards of solitude.
“As Mother Ayahuasca takes me in her arms, I realize that last night I vomited up my attachment to Buddhism. In passing out, I died. In coming to, I was, so to speak, reborn. I no longer have to fight these battles, I repeat to myself. I am no longer a combatant in the dharma wars. It feels as if the course of my life has shifted onto another vector, like a train shunted off its familiar track onto a new trajectory.” Readers of Batchelor’s previous books (Secular Buddhism: Imagining the Dharma in an Uncertain World, 2017, etc.) will recognize in this passage the culmination of his decadeslong shift away from the religious commitments of Buddhism toward an ecumenical and homegrown philosophy of life. Writing in a variety of modes—memoir, history, collage, essay, biography, and meditation instruction—the author doesn’t argue for his approach to solitude as much as offer it for contemplation. Essentially, Batchelor implies that if you read what Buddha said here and what Montaigne said there, and if you consider something the author has noticed, and if you reflect on your own experience, you have the possibility to improve the quality of your life. For introspective readers, it’s easy to hear in this approach a direct response to Pascal’s claim that “all of humanity's problems stem from man's inability to sit quietly in a room alone.” Batchelor wants to relieve us of this inability by offering his example of how to do just that. “Solitude is an art. Mental training is needed to refine and stabilize it,” he writes. “When you practice solitude, you dedicate yourself to the care of the soul.” Whatever a soul is, the author goes a long way toward soothing it.
A very welcome instance of philosophy that can help readers live a good life.Pub Date: Feb. 18, 2020
ISBN: 978-0-300-25093-0
Page Count: 200
Publisher: Yale Univ.
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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