A so-so mystery novel despite its promising setup.
Past memories trouble a young man in DiFrancesco’s (Unholy Whispers, 2015) latest mystery.
Life is good for Trevor Adams. After recently leaving behind his law career, he’s on the verge of opening an antique store with his beautiful girlfriend, Donna. The fly in the ointment is Trevor’s newfound and debilitating fear of fire. Trevor grudgingly agrees to see a hypnotherapist and attempt to discover the root of this phobia, despite his clear dislike of anything related to the supernatural (or therapy). Outside his sessions, Trevor is busy turning an old fire station into his upcoming antique store. In the attic of the station, he discovers Engine 24’s logbook and a fireman’s journal from 1939. His interest in the firemen and their daily lives becomes obsessive, and he finds himself slipping away from the present and spending more and more time in the past. He falls behind in work and jeopardizes his relationship. DiFrancesco sets up a double, yet related, mystery: what is at the root of Trevor’s pyrophobia and why is he so strongly pulled into the past? While the premise is mildly intriguing, glimpses into life at a 1930s fire station provide the most enjoyable portions of the narrative. The camaraderie and rough affection the firemen possess for each other come across clearly in the short, often humorous logbook and journal entries. “Lt. Amato had us clean the station,” reads an entry from March 1939. “The station needed a bath. So did Dorsey, incidentally.” Their good humor and bravery are a foil for Trevor, whose judgmental attitude and tendency to smirk render him rather unlikable at times. Donna has the potential to be an interesting character, yet her role is unfortunately limited to hoping for a marriage proposal or ringing her hands over Trevor’s worsening phobia and commitment issues. DiFrancesco ties the threads of past and present together in a tidy, if saccharine, conclusion. The mystery is explained, though the losses of the past nearly outweigh the happy endings of the present.
A so-so mystery novel despite its promising setup.Pub Date: Sept. 24, 2015
ISBN: 978-1-51-750988-0
Page Count: 162
Publisher: CreateSpace
Review Posted Online: Jan. 4, 2016
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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