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BROKEN BRAIN

SURVIVING A TRAUMATIC BRAIN INJURY

Authentic and genuinely inspirational.

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In this deeply felt memoir that’s more philosophical than medical, a personal injury lawyer’s resilience, natural tenacity, and support from a strong family and a few close friends spur his seemingly miraculous recovery from a traumatic brain injury that should have destroyed him.

Debut author Huerta compellingly and without self-pity recounts his long bounce back from a horrific 1998 skiing accident in Colorado in which he collided with a tree and fractured his skull in 23 places. Huerta, of Corpus Christi, Texas, then 31 years old and by his own account “living the fancy life at the end of the last millennium,” lay near death and in a coma for 12 days at a Denver hospital, his head grotesquely swollen. Doctors gave his family a grim prognosis: Even if he survived, he would be severely disabled and probably unable to walk or talk. But Huerta came out of the coma and ultimately regained his ability to walk, his voice, driver’s license, independence and much of his former existence. Never mind that the first several years following the accident were filled with black holes. He learned that life goes on even with whole volumes of memory lost. Though he credits doctors with saving his life initially, his recovery relied on a regime he more or less devised on his own, which involved regular exercise with weights at a local gym and strategic Botox injections. Did his father Albert’s promise to God to give $1 million to the church if his son were restored explain Huerta’s astounding rebound? Huerta doesn’t know, but he does believe that “in the end the brain seemingly heals in a mystical manner.” In a stunning metaphor, he describes the process as a gradual unfolding: “Imagine a piece of artwork like the Mona Lisa, folded up and stuffed in a duffel bag,” he writes. “Your mind unfolds itself.” This kind of highly original insight pervades the book. The writing style is informal, conversational and forthright, and the short chapters make for easy reading. Accounts from family members and a close friend augment this portrait of a determined man who fought his way back from the abyss. “I wanted to live,” he says, summarizing it all.

Authentic and genuinely inspirational.

Pub Date: Jan. 15, 2014

ISBN: 978-1-304-40014-7

Page Count: 196

Publisher: Lulu

Review Posted Online: May 6, 2014

Kirkus Reviews Issue: June 1, 2014

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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