If only Jacoby’s account of his career were as gripping as his heart-wrenching personal story.
The path from abandoned son to noted movie director.
Jacoby’s memoir begins with his mother being carted off, à la Blanche DuBois, to a mental ward. All the expected details of a vagabond childhood are here: foster-home pinball, stern social workers and the shroud of secrecy the boy felt forced to cast around himself. The one constant in his life was television. Jacoby’s talent for performance led him to NYU, where he became a cohort of Martin Scorsese (who provides an introduction) and worked odd television jobs. Through sheer will, the cast-off kid made a sexploitation flick, a personal indie film, and then . . . well, it’s unclear, really. Jacoby seems less than passionate about his creative products. His excitement lies in his telling of a destitute, unsupported boy who was able to make his way in the world. Readers too will be more moved by Jacoby’s flouting of the experts’ predictions that he would wind up “dead, on drugs, or in jail” than by the professional achievements he describes in rather dull terms. His triumph over adversity is certainly worthy of admiration, yet his memoir is ultimately frustrating, offering little payoff for slogging through passages of repetitive musings about his life philosophy (variations of “make it up as you go along”) and scattered, random details (for a filmmaker, Jacoby has a rather undeveloped sense of pacing). The author offers little information about his relationships with others and leaves no indication of where he is now; his final chapters seem like afterthoughts.
If only Jacoby’s account of his career were as gripping as his heart-wrenching personal story.Pub Date: March 16, 2006
ISBN: 0-7867-1711-4
Page Count: 336
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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