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OMAHA BLUES

A MEMORY LOOP

Eccentric and a bit self-indulgent, in mellifluous prose.

Generous, evenhanded, somewhat mistitled memoir of growing up first in Omaha, then in NYC, with a peripatetic rabbi father and a disappearing mother.

With the death of his father, and nearing the end of his own sixth decade, Pulitzer-winning Lelyveld, the retired New York Times editor (How Race Is Lived in America, 2001, etc.), reflects on the dynamics of his parents’ marriage, which sparked when they were students at Columbia University, took them to Ohio, then Omaha, where his father led a congregation, then back to New York when his glamorous mother grew weary of being the wife of a midwestern Zionist rabbi and deserted her husband and two sons (then a third, by another man) to finish doctoral work in dramatic literature at Columbia. By third grade, Lelyveld had “washed up” at PS 165 on the Upper West Side, an immigrant from Omaha by way of Brooklyn, having recognized that he had “inexplicably become a burden” to his parents. Yet he is never bitter here; rather, he devotes many of his pages to a protégé of his father’s, also a rabbi, Benjamin Goldstein, a.k.a. Ben Lowell, who was the closest adult friend of Lelyveld’s boyhood, and whose shadowy life he learns about many years later, when he receives files from the FBI on a Freedom of Information request. Ben was the buddy who took Lelyveld to Columbia football games because his father, the head of the Hillel Foundation, was too busy traveling; in fact, Ben had an early career as a Communist organizer; led a congregation in Montgomery, Alabama, that subsequently ousted him when he couldn’t restrain his support for the scandalous Scottsboro boys’ cause; worked in agitprop in Hollywood; and, by 1950, got branded a “pinko rabbi” for his defense of pro-Communist front organizations. Lelyveld’s exploration of Ben’s mysterious life allows him to delve into issues dear to his own heart, yet he skirts the abandonment by his mother, whom he cannot summon anger against.

Eccentric and a bit self-indulgent, in mellifluous prose.

Pub Date: April 1, 2005

ISBN: 0-374-22590-7

Page Count: 240

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2005

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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