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BLOOD-DARK TRACK

A FAMILY HISTORY

The pleasures here are in the slow accretion of detail—albeit too many details on occasion—and awareness that allows O’Neill...

An unwieldy family memoir that also yields some choice scenes, centering on a brace of grandfathers interned for suspected enemy sympathies, from novelist O’Neill (This Is the Life, 1991).

It is fascinating that both of O’Neill’s grandfathers were imprisoned during WWII on suspicion that they had aided the German war effort. What was the truth to these allegations that so disrupted these families, then and later? O’Neill visits the personal landscapes of the two men: one from Ireland and the other from Turkey, the latter a narcissist and petty tyrant to his family, a bit of a prig and a skirt-chaser, the former a picaresque member of the IRA. In writing that is somber, like a long day of rain, O’Neill conjures a portrait of the men: Joseph Dakad from Mersin, Turkey, a town of verandas and gardens and large stone houses, arrested in the Levant on charges that he was a possible spy, perhaps aiding the Jewish underground—but the more compelling case is that he was interned while on a lemon-buying trip for no better reason than he was Turkish. The cruelty of his jail time is excruciating to read, full as it is of suicide attempts, poisonings, and repeated threats of execution, all detailed in the testimony Dakad wrote after the three-and-a-half-year ordeal was over. Grandfather O’Neill’s internment is set within the context of IRA activity at the time of the war and the fact that he was a vibrant member of the Republicans. Nonetheless, their lives thereafter were shrouded in a secrecy that took a deep toll on the family and served as testament to living “in extraordinarily hateful and hazardous places and times,” one that required an understanding and forgiveness that both spurred and is a result of this book.

The pleasures here are in the slow accretion of detail—albeit too many details on occasion—and awareness that allows O’Neill to create an abiding image of a two places during a moment in history.

Pub Date: Oct. 1, 2001

ISBN: 1-86207-288-4

Page Count: 340

Publisher: Granta

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 15, 2001

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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