A winning novel about how small missteps can result in global consequences.
This thoughtful debut novel illustrates the impact of war on three young Americans visiting Paris.
Ponepinto (The Face Maker, 2013) seamlessly blends two of his interests: World War I and vaudeville, in which his grandfather once performed. His novel is set just before the start of the Great War, when three American vaudeville performers find themselves drawn into the orbit of Jean Jaures, the French peace advocate whose speeches single-handedly managed to postpone the start of the European conflict for two years. With war in the air, Jack and Gus, who team in a lonesome-cowboy act, and Kera, “The Parisienne Nightingale,” find themselves stranded in Paris, where the owner of the club at which they’re playing refuses (or can’t afford) to pay his performers. Fed up with his unrequited love for Gus, Jack decides to come out, and their forays into gay nightlife culture reveal the underbelly of the French capital, specifically at the smoke-filled cabaret Le Secret. From this dingy nexus, the trio divides, each following a separate destiny and initially making questionable choices, as the young often do. Yet they mature against the backdrop of a steady march toward war, inevitable after the assassination of Jaures. As Gus explains, “There was no need for the factions to debate the war any longer. It would come now. He took a last drink of the chill, bitter coffee—this was what the future would taste like for the Parisians.” Blending real and fictional characters, Ponepinto remarkably sketches the end of an era for France, which is slipping into a war that ultimately sparks another. All this is seen through the naïve eyes of three Americans, blank slates for history to sketch upon as they admirably evolve.
A winning novel about how small missteps can result in global consequences.Pub Date: March 4, 2015
ISBN: 978-1942797005
Page Count: 320
Publisher: Woodward Press
Review Posted Online: April 6, 2015
Kirkus Reviews Issue: May 1, 2015
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
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Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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