Charlie amuses with his superlative craftiness—but that’s about it for originality. (N.B.: Don’t confuse this spy fiction...
Run-of-the-mill escapism—fun but not distinguished—from third-timer Garber (Vertical Run, 1995, etc.).
“Whirlwind” is the code-name for a new device, supposedly the most fearsome and horrific since the atom bomb. When two generators on a secret base in New Mexico blow up, Russian spy Irina Kolodenkova falls into possession of a computer disc and a 70-pound block of Whirlwind that she intends to get to the Russian embassy in San Francisco for transportation to Moscow. Sam, the angry National Security Advisor who plans to be the next president, calls in grizzled widower Charlie McKenzie, a death-proof hero in his 50s who’s just finished a two-year jail term, having taken the fall for higher-ups, including Sam. Charlie had been doing dirty work (killings) for the CIA. As Sam explains to Charlie, the future of the West depends on recovering the disc and the block. Even more self-confident than James Bond, Charlie returns to duty—for $20 million—and sets off in pursuit of Irina. He quickly catches up with the gorgeous spy, who, like Charlie, is an all-purpose defensive being and supercapable. Enter Johan Schmidt, a supreme killer hired by Sam to take out Charlie once Charlie gets Whirlwind back from Irina. The long series of chases here involves Charlie’s outwitting the CEO of the California DefCon company that invented Whirlwind, his fighting off Schmidt while saving Irina, and teaming up with Irina for an exciting dash across a surreal desert landscape, along with firefights showing that Irina is as sure a shot as Charlie. Meanwhile, the Chinese have a hand in the game as well.
Charlie amuses with his superlative craftiness—but that’s about it for originality. (N.B.: Don’t confuse this spy fiction with the season’s other novel named Whirlwind, a bad-weather tale by Michael Grant Jaffe, coming from Norton in October.)Pub Date: Sept. 1, 2004
ISBN: 0-06-059650-3
Page Count: 320
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 2004
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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