Wambaugh's darkest nonfiction since The Onion Field: a sleek and steadily gripping chronicle of the rape/murder of two English girls and of the relentless manhunt for the killer, finally nabbed through the nascent technique of genetic fingerprinting. When pretty teen-ager Lynda Mann is found raped/strangled in November 1983 in the quiet English village of Narborough, police from the nearby county seat of Leicester mount a massive investigation. Led by bristly Inspector Derek Pearce, the 150-man murder squad follows up scores of leads, but a year later no probable suspect is in hand and the probe grinds to a halt. In July 1986, however, the killer strikes again—this time raping and strangling teen-ager Dawn Ashworth only a stone's throw from where he murdered Lynda. Moreover, this time the killer is apparently seen—and soon a churlish, slow-witted local boy, a kitchen porter, is confessing, albeit confusedly, to the killings. Meanwhile, however, British scientist Alec Jeffreys has devised a revolutionary new forensics technique whereby each person's unique (except for identical twins) DNA can be mapped into a distinct visual pattern. For the first time ever in a criminal case, Jeffrey's technique is applied, comparing the kitchen porter's blood with semen found on the two dead girls—and the shocker is that the DNA of the samples don't match: the kitchen porter is not the killer. Back to square one, Pearce and his men begin the greatest round-up in British crime annals, testing the DNA of the blood of over 4,000 men: Will the cops' biochemical net haul in the murderous sociopath who surely lurks in Narborough or one of its neighboring towns? A meticulous and suspenseful reconstruction that exchanges the sardonic humor of Wambaugh's recent work (The Secrets of Harry Bright, 1985; Echoes in the Darkness, 1987) for moralistic deep-delving into the suffering of the victims' families, the affectless sociopathy of the killer, and the gritty determination of the cops. A powerful and elegant police procedural.
Pub Date: Feb. 16, 1988
ISBN: 055376330X
Page Count: 428
Publisher: Morrow/HarperCollins
Review Posted Online: April 11, 2012
Kirkus Reviews Issue: Jan. 15, 1988
IN THE NEWS
Freelance writer Engelhardt offers an eloquent obituary for American triumphalism, which died a slow death in the years between US victory in WW II and the Gulf War. Engelhardt traces the roots of America's national ``war story,'' its public myth of just warfare and inevitable victory against savage and lesser peoples, to the beginnings of European settlement in the New World. He argues that colonial and early American justification of the slaughter of Indians became a paradigm for its national war story through subsequent Indian wars, the Revolution, and the Civil War. During these wars, and in the retelling of them to later generations, Americans justified violence and atrocities by stressing the nobility of America's cause and the inevitable victory of American arms. Engelhardt points to the transformation and decline of this ``victory culture'' in America's Asian wars, beginning with the atomic horror of Hiroshima and Nagasaki, continuing through stalemate in Korea, and ending in defeat in Vietnam. In recreating the national myths Americans have told themselves, Engelhardt deftly extracts meaning about America's popular and political cultures from fiction, films, and children's toys and comics. As America became mired in Asian wars, the ``war story'' became as tinged with racism as it had been during the Indian wars. Later, the narrative tapped into fears of nuclear disaster and anti-Communist paranoia. During the Vietnam War, the national myth languished and finally perished as the US military became trapped in a war the public couldn't understand and ultimately loathed. Finally, the author discusses the failure of attempts to revive the national war myth, from actions in Grenada and Panama, through the hollow, strangely untriumphant ``total television'' of the Gulf War. A poignant, insightful work that examines how Americans have viewed their country in the past, and that leaves open the question of how America will define itself without an enemy in the postCold War future.
Pub Date: Jan. 11, 1995
ISBN: 0-465-01984-6
Page Count: 320
Publisher: Basic Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1994
BOOK REVIEW
BOOK REVIEW
A smoothly readable account of the rapid rise and fall of a tough Vietnamese gang in New York City's Chinatown. English (The Westies, 1990) follows the life and criminal career of Tinh Ngo, a Vietnamese teenager who spent two years in Thailand's squalid refugee camps before coming to the US by himself at the age of 13. Like some other young Asian males in this country, he found in a street gang a sense of belonging that he was unable to feel in a series of foster homes and menial jobs. In 1989, at 17, he joined Born to Kill (BTK), a loosely knit but dedicated group of street toughs and petty criminals presided over by 34-year-old David Thai. BTK quickly became known and feared in Chinatown for its daring and violence, if not for the competence of its individual members (in one robbery, a BTK accidentally shot and killed another member). The gang specialized in terrorizing and robbing Asian-owned massage parlors and restaurants, especially those that were hangouts for rival gangs. In August 1989, media and police attention were finally galvanized when, in broad daylight on Canal Street, Lam Trang, 19, gunned down two 15-year-old Flying Dragons who had verbally insulted Thai. As the cops began to investigate his operations, Thai ordered the bombings of police vehicles. The violence reached its peak in 1990, when a young BTK shot up a tea room and killed two members of the Ghost Shadows, who retaliated by murdering Thai's right-hand man and opening fire on the mourners at his funeral. Tinh, arrested for robbery, had become sickened by the killing and aided prosecutors in securing convictions and hefty sentences for Thai and several of his followers. (Tinh is now living under an alias in an undisclosed location.) English's highly competent examination of an ongoing social problem provides an alarming portrait of what he calls ``a brotherhood born of trauma.'' (8 pages b&w photos, not seen)
Pub Date: Jan. 24, 1995
ISBN: 0-688-12238-8
Page Count: 256
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1994
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