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FINNEGAN'S WEEK

After a so-so show in Fugitive Nights (1991), Wambaugh returns nearly in top form with a very funny suspenser about toxic waste. Finbar Finnegan, a San Diego police detective and sometime actor, has a midlife crisis at 45, his existence having been dominated by three sisters while growing up and by three ex-wives as an adult. His theme song is "Someone to Watch Over Me"—he needs a mommy/wife, has sworn off marriage, but finds himself tied ticklingly to two female detectives at once, both of whom see him as romantically interesting despite immense shortcomings: happy, cheerful, pistol-packing Petty Officer "Ba-a-d Dog" Bobbie Ann Doggett, 28, an investigator for the Navy who's looking for 2,000 boots hijacked from a warehouse; and District Attorney's Investigator Nell Salter, 43, once divorced, and looking for a stolen truck filled with supertoxic waste. The truck actually was "stolen" by its tow drivers—porky meth-head Shelby Pate and his Mexican sidekick, Abel Durazo, who lifted the boots while picking up drums of toxic waste at a naval station, took them to a fence in Tijuana, then pretended their truck was stolen while they ate lunch. The truck, however, gets sold to a Mexican pottery maker, who repaints uses it to deliver pots to San Diego. During all this, the waste drums still on the truck spill horrible Guthion over two kids, killing one of them. In their investigation, the three San Diego law folk wind up in weirdest Tijuana for some surreal surveillance duty—and have a punchy pair of drunk scenes that show Wambaugh at his cleverest in the sexy, gin-soaked Nick & Nora Department. Smart, crunchy dialogue—too topical, yes, but for now quite witty enough.

Pub Date: Oct. 18, 1993

ISBN: 0553763245

Page Count: 352

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1993

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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HIGH NOON

Nerve-wracking suspense leavened with romance and spiced with sex: another hit for the prolific Roberts (Blue Smoke, 2005,...

Murder mixes with anguish in steamy Savannah.

FBI-trained hostage negotiator Phoebe MacNamara is a lieutenant in the Savannah police department. Ever since Phoebe and her family were held hostage when she was 12, her mother has been agoraphobic, and Phoebe and her brother Carter still bear the psychological scars, but Phoebe’s used the memory to hone her skills. While talking a suicidal bartender off a ledge, she meets his boss, Duncan Swift. The charming millionaire coaxes her into meeting for a drink, and their relationship slowly deepens. But life takes a turn for the worse when a misogynist cop botches a hostage situation. Suspended, he blames Phoebe and retaliates by viciously attacking her in the precinct house stairwell. He loses his job, but his father’s connections keep him out of jail. Phoebe is physically and mentally injured, but her family and her blossoming relationship with Duncan help her cope until a dangerous pattern develops: A strange man keeps crossing her path. Dead animals begin appearing on her doorstep. A hostage taker is shot after she talks him into surrendering. Her ex-husband is brutally murdered by the mystery man, who phones her with sadistic threats. Is it the spiteful disgraced cop or someone from her past? Phoebe must identify the killer before he can carry out his final outrage.

Nerve-wracking suspense leavened with romance and spiced with sex: another hit for the prolific Roberts (Blue Smoke, 2005, etc.).

Pub Date: July 10, 2007

ISBN: 978-0-399-15434-8

Page Count: 480

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 1, 2007

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