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MOTHER WAS A GUNNER'S MATE

WORLD WAR II IN THE WAVES

Wingo rather frothily admits that, like ``all good sea stories,'' her reminiscence of her stint in the WAVES has been ``embellished.'' Now a retired teacher and a Santa Monica community activist, Wingo remembers feeling like Joan of Arc at her enlistment in the WAVES (Women Appointed for Voluntary Emergency Service) in 1944 at the age of 20. An Irish Catholic raised in Detroit, she attends boot camp at Hunter College in the Bronx, where the ``barracks'' are a five-story apartment building. Recruits are called Ripples (``Little Waves, silly''), and Wingo says that ``boot camp is like a harder Girl Scout camp'' where you learn that a ``misbegotten granny knot could screw up the whole war.'' Her bunkmates (the characters are composites) include Coralee Tolliver, a chunky ``hillbilly'' whom she despises (though Wingo later serves as her maid of honor), and Barbara Lee Corman, who calls everyone ``honeychile'' and juggles five ``fian-says.'' The trio gets assigned to the Great Lakes Naval Station in Chicago where they train on guns. Following a Navy Day parade in which Wingo, in full dress, rides astraddle a torpedo, she and her buddies are shipped out to Treasure Island in San Francisco Bay to train the men in the Armed Guard for at-sea duty while they, as women, will remain ashore. Wingo falls for a tattooed sailor named Blackie (he calls her ``Toots'') until he admits he visits prostitutes because it ``saves the nice girls for when we want to marry them.'' She describes a chaotic V-J Day celebration and a whirlwind tour of New York City; and she offers an entire chapter about getting drunk and sick aboard a Russian ship anchored in San Francisco Bay. Jocular and occasionally appealing, this suffers from an almost complete lack of hard information or historical perspective on the very real contributions of the WAVES.

Pub Date: Nov. 11, 1994

ISBN: 1-55750-924-7

Page Count: 256

Publisher: Naval Institute Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1994

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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