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CROSSFIRE HURRICANE

INSIDE DONALD TRUMP'S WAR ON THE FBI

A newsworthy book in an electoral cycle that promises to see plenty of foreign interference—and little resistance from...

“Never did I imagine a day when the greatest threats to our institutions would come from within our own government”: A former special agent details just what it is that Donald Trump doesn’t like about the FBI.

Now a CNN analyst, Campbell served as assistant to former FBI director James Comey, among other assignments over a 12-year career. It was in that role that he participated in the operation of his title, its name taken from the Rolling Stones song “Jumping Jack Flash.” It was early on in the 2016 presidential campaign that the Steele report emerged from a British intelligence agent “that contained unverified but explosive charges against then candidate Trump.” In those green times, even a couple of Republican senators worried that the report was worth pursuing, one of them, not coincidentally, John McCain. Comey’s unpleasant task was to report to Trump that the FBI had the information and that he was indeed under investigation for illegal ties to Russia, something Trump has vehemently denied. In the end, he fired Comey and effectively declared war on the FBI for supposedly being against him politically even though, Campbell notes, the agency is apolitical—and, he adds, “one key aspect of law enforcement in this nation that separates us from authoritarian regimes has been the norm that politicians do not interfere in the work of the FBI.” That norm has been destroyed, and even though the Mueller Report, by the author’s account, strongly suggests illegal activity, he writes that Attorney General William Barr, “describing lawfully predicated surveillance as ’spying,’ ” and Trump’s personal attorney, Rudolph Giuliani, are actively blocking for the White House. Campbell notes that he left the agency voluntarily and has no ax to grind, though his principal person of interest is the current occupant of the White House: “I simply hope to illuminate for US citizens the current and lasting consequences of Trump’s attacks on law enforcement.” That he does.

A newsworthy book in an electoral cycle that promises to see plenty of foreign interference—and little resistance from Republicans.

Pub Date: Sept. 17, 2019

ISBN: 978-1-61620-950-6

Page Count: 288

Publisher: Algonquin

Review Posted Online: Aug. 18, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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