A gentle reminder of the danger of preconceived notions.
A guard halfheartedly does his job but deep inside has a musical soul.
Felix’s job is to guard a wall and keep his side safe from the monsters on the other side. But what he really likes to do is rock out on his keytar and pretend he is in a band. None of the other guards understand his passion. Instead of wielding a spear or a shield, Felix grabs his keytar and plays “epic solos.” One day, someone joins him. Sounds of a bass guitar float over from the other side of the wall! A small, red, saucer-eared creature named Dot has been “lured…by the beautiful sounds of that portable piano machine.” The temptation to create sweet beats together is too strong—Felix jump to Dot’s side of the wall, and they jam. Felix finds a shocking revelation: The monsters are not monstrous at all. When his fellow guards come crashing in, ready to save him, Felix isn’t sure he wants to go back. In the illustrations, on Felix’s side, everything has sharp, blocklike angles (even the guards). On Dot’s side everything is rounded and smooth. Blue, thimble-shaped Felix himself is a combination of both aesthetics. The conclusion rushes toward happiness and reads a bit slapdash, but it is winsome just the same. (This book was reviewed digitally with 11-by-17-inch double-page spreads viewed at 47% of actual size.)
A gentle reminder of the danger of preconceived notions. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-593-11052-2
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: June 15, 2020
Kirkus Reviews Issue: July 1, 2020
A friendship tale with solid messaging and plenty of fun sounds to share.
In this latest in the series, Little Blue Truck, driven by pal Toad, is challenged to a countryside race by Racer Red, a sleek, low-slung vehicle.
Blue agrees, and the race is on. Although the two start off “hood to hood / and wheel to wheel,” they switch positions often as they speed their way over dusty country roads. Blue’s farm friends follow along to share in the excitement and shout out encouragement; adult readers will have fun voicing the various animal sounds. Short rhyming verses on each page and several strategic page turns add drama to the narrative, but soft, mottled effects in the otherwise colorful illustrations keep the competition from becoming too intense. Racer Red crosses the finish line first, but Blue is a gracious loser, happy to have worked hard. That’s a new concept for Racer Red, who’s laser-focused on victory but takes Blue’s words (“win or lose, it’s fun to try!”) to heart—a revelation that may lead to worthwhile storytime discussions. When Blue’s farm animal friends hop into the truck for the ride home, Racer Red tags along and learns a second lesson, one about speed. “Fast is fun, / and slow is too, / as long as you’re / with friends.”
A friendship tale with solid messaging and plenty of fun sounds to share. (Picture book. 4-7)Pub Date: March 25, 2025
ISBN: 9780063387843
Page Count: 32
Publisher: Clarion/HarperCollins
Review Posted Online: Jan. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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