by Josh Holtsclaw & Monica Holtsclaw ; illustrated by Josh Holtsclaw & Monica Holtsclaw ‧ RELEASE DATE: Sept. 1, 2020
A gentle reminder of the danger of preconceived notions.
A guard halfheartedly does his job but deep inside has a musical soul.
Felix’s job is to guard a wall and keep his side safe from the monsters on the other side. But what he really likes to do is rock out on his keytar and pretend he is in a band. None of the other guards understand his passion. Instead of wielding a spear or a shield, Felix grabs his keytar and plays “epic solos.” One day, someone joins him. Sounds of a bass guitar float over from the other side of the wall! A small, red, saucer-eared creature named Dot has been “lured…by the beautiful sounds of that portable piano machine.” The temptation to create sweet beats together is too strong—Felix jump to Dot’s side of the wall, and they jam. Felix finds a shocking revelation: The monsters are not monstrous at all. When his fellow guards come crashing in, ready to save him, Felix isn’t sure he wants to go back. In the illustrations, on Felix’s side, everything has sharp, blocklike angles (even the guards). On Dot’s side everything is rounded and smooth. Blue, thimble-shaped Felix himself is a combination of both aesthetics. The conclusion rushes toward happiness and reads a bit slapdash, but it is winsome just the same. (This book was reviewed digitally with 11-by-17-inch double-page spreads viewed at 47% of actual size.)
A gentle reminder of the danger of preconceived notions. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-593-11052-2
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: June 15, 2020
Kirkus Reviews Issue: July 1, 2020
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson ‧ RELEASE DATE: March 29, 2022
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson
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