HYDE AND ZEKE

CUTIE AND THE BEAST

An amusing, imaginative read featuring a lovable furry critter with unique qualities.

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People are mysteriously disappearing in Langston’s SF fantasy set in small-town Georgia.

It’s 1981, and Granville high school senior Denver Stow, school yearbook photographer, is having a very bad day. His girlfriend has broken up with him—a circumstance that, to him, confirms that he’s a loser. He seeks refuge in the woods behind his home, and as he sits by a tree, a gentle, soft-coated little animal appears; he has six legs, soulful eyes, and mysterious origins. He gently wraps his minklike body around Denver’s hand and sighs what sounds like the name “Zeke”; Denver describes it as “a quiet, breathy kind of voice that dwelt on the vowel sound. That clinched it; we were formally introduced.” Denver brings his new friend back to a building on his parents’ property that he’s been using as his darkroom and private residence. The story briefly backtracks a couple of months, setting the stage for what’s to follow; Denver is shooting photos of the senior class, including the girlfriend who’s yet to dump him, when the school bully and star of the high school football team, Burt Boeheim, goes missing. Police Det. Weiner sets his sights on Denver as a suspect, prompting Langston’s entertaining narrative to gain steam. While Denver is nursing his broken heart, he befriends a girl named Jinks, a shy high-school junior who, it turns out, is the only other person who’s seen Zeke, albeit briefly. This bond adds a sweet romantic element to the tale, counterbalancing the horror-tinged chills of the action scenes involving Zeke’s symbiotic partner—a carnivorous monster. The novel is populated with a diverse secondary cast that includes a plethora of dim and thuggish bad guys working for the mysterious Cossack, an evil gang leader who’s been terrorizing the town. Denver serves well as the pleasantly sarcastic, self-deprecating primary narrator, and although the novel isn’t quite tense enough to be a thriller, it is an enjoyable ride, with at least one incident that’s laugh-out-loud funny and a surprise denouement.

An amusing, imaginative read featuring a lovable furry critter with unique qualities.

Pub Date: Aug. 17, 2022

ISBN: 9781737823742

Page Count: 420

Publisher: Janda Books

Review Posted Online: Dec. 24, 2022

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  • New York Times Bestseller

DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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  • New York Times Bestseller

TRESS OF THE EMERALD SEA

Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.

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A fantasy adventure with a sometimes-biting wit.

Tress is an ordinary girl with no thirst to see the world. Charlie is the son of the local duke, but he likes stories more than fencing. When the duke realizes the two teenagers are falling in love, he takes Charlie away to find a suitable wife—and returns with a different young man as his heir. Charlie, meanwhile, has been captured by the mysterious Sorceress who rules the Midnight Sea, which leaves Tress with no choice but to go rescue him. To do that, she’ll have to get off the barren island she’s forbidden to leave, cross the dangerous Verdant Sea, the even more dangerous Crimson Sea, and the totally deadly Midnight Sea, and somehow defeat the unbeatable Sorceress. The seas on Tress’ world are dangerous because they’re not made of water—they’re made of colorful spores that pour down from the world’s 12 stationary moons. Verdant spores explode into fast-growing vines if they get wet, which means inhaling them can be deadly. Crimson and midnight spores are worse. Ships protected by spore-killing silver sail these seas, and it’s Tress’ quest to find a ship and somehow persuade its crew to carry her to a place no ships want to go, to rescue a person nobody cares about but her. Luckily, Tress is kindhearted, resourceful, and curious—which also makes her an appealing heroine. Along her journey, Tress encounters a talking rat, a crew of reluctant pirates, and plenty of danger. Her story is narrated by an unusual cabin boy with a sharp wit. (About one duke, he says, “He’d apparently been quite heroic during those wars; you could tell because a great number of his troops had died, while he lived.”) The overall effect is not unlike The Princess Bride, which Sanderson cites as an inspiration.

Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.

Pub Date: April 4, 2023

ISBN: 9781250899651

Page Count: 384

Publisher: Tor

Review Posted Online: April 11, 2023

Kirkus Reviews Issue: May 1, 2023

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