A host of sublime writers and settings create an entertainingly macabre collection.



This dark anthology explores sinister legends and harrowing mythological creatures spanning the Western Hemisphere.

According to documents that open this book, the enigmatic and decades-old Umbra Arca Society has long compiled myths and legends. Though some question the organization’s very existence, it has allegedly archived a book “for each corner of the world.” This anthology, however, focuses on the Americas with a series of moody poetry and short fiction. Most of the entries follow a traditional format—a hero confronts an otherworldly, typically vengeful being or something equally heinous. But the spotlight shines brightest on the myths and legends themselves, originating from various locales. These include monstrous dogmen in Ohio (Tim Waggoner’s “God Spelled Backward”), the bogeymanlike Sack Man in São Paulo (Josh Malerman’s “Door to Door”), and a heart-eating female demon in the Yucatán Peninsula (Julia Rios’ “Xtabay”). Recognizable characters crop up, such as sea and lake monsters or the tooth fairy in Annie Neugebauer’s spine-chilling “You Ought Not Smile as You Walk These Woods.” Other less-familiar tales prove just as fascinating, from raining fish in Honduras to the colossal “devil whale” in Jeanne C. Stein’s Colombia-set “Diablo Ballena.” An array of talented authors elevates this collection with indelible prose. Christina Sng, for example, delivers a series of creature-laden poems based in Mesoamerica and South America. In “The Massacooramaan,” she writes, “We reached Georgetown by morning. / It was empty / But for the dead bodies / Crisp under our Guyanan sun.” Editors Bissett, Dodge, and Viola stylize the book like an archive and include email correspondence, handwritten notes, photos, and sketches. Bissett and Dodge also contributed several Umbra Arca “case files,” detailing phenomena like mermaids in Mississippi and unexplained ghost lights in Saskatchewan, Canada. Meanwhile, Lovett’s complementary artwork, whether of grotesque, menacing creatures or dreamlike imagery, simply astounds.

A host of sublime writers and settings create an entertainingly macabre collection.

Pub Date: Nov. 30, 2021

ISBN: 978-1-73659-643-2

Page Count: 440

Publisher: Hex Publishers

Review Posted Online: Nov. 22, 2021

Kirkus Reviews Issue: Jan. 15, 2022

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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A tale that’s at once familiar and full of odd and unexpected twists—vintage King, in other words.


Narnia on the Penobscot: a grand, and naturally strange, entertainment from the ever prolific King.

What’s a person to do when sheltering from Covid? In King’s case, write something to entertain himself while reflecting on what was going on in the world outside—ravaged cities, contentious politics, uncertainty. King’s yarn begins in a world that’s recognizably ours, and with a familiar trope: A young woman, out to buy fried chicken, is mashed by a runaway plumber’s van, sending her husband into an alcoholic tailspin and her son into a preadolescent funk, driven “bugfuck” by a father who “was always trying to apologize.” The son makes good by rescuing an elderly neighbor who’s fallen off a ladder, though he protests that the man’s equally elderly German shepherd, Radar, was the true hero. Whatever the case, Mr. Bowditch has an improbable trove of gold in his Bates Motel of a home, and its origin seems to lie in a shed behind the house, one that Mr. Bowditch warns the boy away from: “ ‘Don’t go in there,’ he said. ‘You may in time, but for now don’t even think of it.’ ” It’s not Pennywise who awaits in the underworld behind the shed door, but there’s plenty that’s weird and unexpected, including a woman, Dora, whose “skin was slate gray and her face was cruelly deformed,” and a whole bunch of people—well, sort of people, anyway—who’d like nothing better than to bring their special brand of evil up to our world’s surface. King’s young protagonist, Charlie Reade, is resourceful beyond his years, but it helps that the old dog gains some of its youthful vigor in the depths below. King delivers a more or less traditional fable that includes a knowing nod: “I think I know what you want,” Charlie tells the reader, "and now you have it”—namely, a happy ending but with a suitably sardonic wink.

A tale that’s at once familiar and full of odd and unexpected twists—vintage King, in other words.

Pub Date: Sept. 6, 2022

ISBN: 978-1-66800-217-9

Page Count: 608

Publisher: Scribner

Review Posted Online: June 22, 2022

Kirkus Reviews Issue: July 15, 2022

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