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Occasionally overwritten but powerfully provocative memoir about death and drugs that is likely to attract a lot of attention.

A gifted young composer who insists that he’s “not really a writer” Cody was diagnosed with a malignant cancer that required a bone marrow transplant following six months of chemotherapy (“you’ll go through it too, almost certainly,” he writes of the chemo. “It’s part of life in the twenty-first century”). With medical expectation suggesting that he would not survive, he became involved with a series of women—romantically or sexually, often drug-fueled—in a narrative that would be deemed implausible were this fiction. The strangest woman who has the strongest hold on him also happened to be the doctor through his bone marrow transplant, an “emotionally unstable” partner who ended their relationship rather than face his death. Yet, as the author admits, “the morphine acted as the classic unreliable narrator,” as dreams and the drugs that induced them pervade the narrative, occasionally leaving readers to ponder the distinction between real life and the reality of what the author experienced in his mind. There are also extended analyses of the relationship between art and life—he’s as absorbed with Paul Klee and Ezra Pound as he is with the Rolling Stones and David Foster Wallace—and attempts to render aesthetics as algebraic equations. Some of the writing is maddeningly glib: “Times change, as Cole Porter and Eliot and the Byrds and those guys who wrote the Bible knew so well.” Some shows flashes of deep insight: “What else, after all, is creativity, if not self-permission to get something wrong, in order to subsequently reorder that something to get it right.” Ultimately, reader frustration will resolve amid the wild swings of mind and mood that the narrative captures, as the diversions of the Manhattan club circuit provide small distraction from the hard truths of mortality. A celebration of the senses, the arts and life itself, within what the author terms “a story about God and vomiting.”

 

Pub Date: Oct. 17, 2011

ISBN: 978-0-393-08106-0

Page Count: 256

Publisher: Norton

Review Posted Online: July 26, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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