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FREE SPIRIT

GROWING UP ON THE ROAD AND OFF THE GRID

A remarkable account of survival despite the odds.

Safran recounts growing up on the fringes of society, raised by a mother who dropped out of college in the early 1960s to become a hippie.

The author is now a successful lawyer whose defense of a battered woman wrongly incarcerated for 20 years is the subject of the 2011 documentary Crime After Crime. Safran describes his mother's embrace of the counterculture with wry humor and a vivid eye for detail. When the Vietnam War ended in 1975, she was pregnant and unmarried. Determined to raise her child and hoping for assistance, she joined a radical lesbian commune in San Francisco. When the child turned out to be a boy, they rejected him, and she turned instead to a collective “of gay male babysitters who would watch the children of activist feminist mothers so they could take part in political protests.” While receiving regular welfare checks, Safran’s mother unsuccessfully pursued an artistic career, all while indoctrinating her son on the evils of capitalist imperialism and nuclear war. Abandoning art, she tried subsistence agriculture in Northern California. There, the author had to contend with living in sheds and shacks without indoor plumbing, frequent hunger and often being left to fend for himself. When he was 9, his mother began a four-year relationship with an alcoholic who pretended to be an exiled revolutionary. Although her lover had violent rages and was brutally abusive to both of them, she married him. Despite being intimidated by bullying from his stepfather and fellow students, Safran finally mustered the courage to confront them. With help from teachers and encouragement from a longtime family friend, he excelled in school and eventually came to reject his mother's ideological preconceptions.

A remarkable account of survival despite the odds.

Pub Date: Sept. 10, 2013

ISBN: 978-1-4013-2460-5

Page Count: 288

Publisher: Hyperion

Review Posted Online: Aug. 5, 2013

Kirkus Reviews Issue: Sept. 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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