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THE SOLITAIRE MYSTERY

A playful, ingenious, frequently moving but occasionally perplexing celebration of our persistent search for answers to the ultimate questions—Who are we? Where have we come from? Where are we going?—disguised as a fairy tale/adventure. This Norwegian writer's first novel, Sophie's World (1994), used the guise of a novel-within-a-novel to present a droll history of philosophy, apparently intended for adolescents. It's unclear this time out who Gaarder imagines his audience to be. While the bare outlines of the story (a young boy and his despairing father go in search of the boy's mother, who has abandoned them; the boy is given a book, possibly magical, by a kindly old man; the book unlocks a series of remarkable revelations about the boy's life) might seem to be aimed at children or young adults, some of the imagery is dauntingly arcane. The book the boy is given is the history of two men, marooned 50 years apart on a magical island. The first man, his imaginative powers mysteriously enhanced, brings a deck of playing cards to life. The second man (the grandson of the first) sets in motion a series of events that lead to the island's destruction; he and the Joker escape. The Joker, who ``sees too deeply and too much,'' is the only one of the cards to wonder about his origins and purpose in life. Hans Thomas, the little boy, turns out to be the descendant to these castaways. The Joker, ever-youthful, takes an interest in the boy, helping Hans and his father to reunite with Hans' mother. There are passages here (on the wonderful island, the lives of the figures who have emerged from the deck of cards, the debates on life's purpose) that are ingenious and startling, reminiscent of the philosophical fantasies of the Victorian writer George MacDonald. But too often Gaarder's musings seem repetitious, the imagery hazy, the conclusions unsurprising. Fascinating and frustrating in equal measure.

Pub Date: July 1, 1996

ISBN: 0-374-26651-4

Page Count: 356

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1996

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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