Reads like a first draft.
An uneven look back at an abusive childhood.
Castro, an English professor at Wabash College, in Indiana, grew up in horrific, and unusual, circumstances. She was adopted by parents who were Jehovah’s Witnesses. When they divorced, she lived with her astoundingly irresponsible, and emotionally absent adoptive mother. (When Mom goes out for a night on the town and Joy begs her to come home at 11 p.m., mom angrily replies, “Do you have to ruin everything for me?”) Then Castro’s mother remarries, and things go from bad to worse. Castro’s stepfather beats everyone in the family, and forbids Castro and her younger brother to talk to their father. Castro’s church community is aware that things are not harmonious in Joy’s home, but no one steps in. Eventually, Castro escapes and moves in with her adoptive father. Living with him is a decided improvement, even though he has a disturbing habit of commenting on the figure of every woman they meet and refuses to pay for his children to go to college. Castro has plenty of raw material for a powerful story, but the book is seriously flawed. The narrative veers back and forth, from adulthood to childhood to adolescence and back again: The opening eight pages skip from a first-person monologue from the mouth of Joy’s birth mother, to a thickly sensory description of Marrakech and San Cristóbal de las Casas, to a four-page reminiscence about Castro’s interviews for academic jobs in 1997. In a Cormac McCarthy novel, this episodic style is a strength. Here, it is a confusing distraction, likely to deter all but the most committed reader. The final 85 pages, which follow a clearer chronology, and include a carefully crafted account of Castro’s reunion with her birth mother, are stronger…but one wonders whether anyone will get that far.
Reads like a first draft.Pub Date: Sept. 7, 2005
ISBN: 1-55970-787-9
Page Count: 312
Publisher: Arcade
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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